Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…
Tag: Japanese Cinema
27th Far East Film Festival: “Angry Squad” Review
When tax collector Kumazawa Jino (Seiyo Uchino) is scammed out of his hard-earned bonus by a professional swindler he is, quite rightly, angry. He decides to go after the man, but when he does find Himuro (Masaki Okada) the scam artist does the unexpected, he offers him a deal: immunity in exchange for help taking…
27th Far East Film Festival: “Cells at Work!” Review
If you’ve ever wondered what happens in the human body then Cells at Work! has the answers, well, kind of. Based on the manga of the same name by Akame Shimizu, Takeuchi Hideki has created a colourful, comical movie that is as hilarious as it is heartfelt. The story is set within the bodies of…
“Cloud” Review: Capitalism and Alienation in the Digital Age
Few directors are as skilled as Japanese auteur Kiyoshi Kurosawa when it comes to articulating the alienation and paranoia of the digital age. One of his first international breakouts, already decades deep into his career, was 2001’s Pulse, a distressing ghost story about the gradual supernatural invasion of the online world which managed to accurately…
Takeuchi Hideki Returns to the Far East Film Festival
Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…
26th Far East Film Festival: “Bushido” Review
The jidaigeki, or samurai period drama, has been done a thousand times in a thousand different ways, but it can still feel refreshing like Kazuya Shiraishi’s Bushido. Based on rakugo, or comic storytelling, the narrative follows Kakunoshin Yanagida (Tsuyoshi Kusanagi) a humble ronin who has fallen on hard times and lives in a small community…
“Zom 100: Bucket List of the Dead” Review
Creating bucket lists to achieve goals or experience new things is a common occurrence for many individuals, but what stops us from fulfilling them? These problems are reflected in the 2023 film adaptation of Zom 100: Bucket List of the Dead. Based on the popular manga comics first created in 2018, the narrative follows Akira…
“Perfect Days” Review
It seems nearly impossible for a director from the West to shoot Tokyo from anything other than a tourist’s perspective. Sofia Coppola’s Lost in Translation and Gaspar Noé’s Enter the Void are seen as the two biggest offenders in this regard, with the Japan Times review of the latter opening with the pithy claim that:…
“Evil Does Not Exist” Review
The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
VIEW OF THE ARTS 