26th Far East Film Festival: “Bushido” Review

The jidaigeki, or samurai period drama, has been done a thousand times in a thousand different ways, but it can still feel refreshing like Kazuya Shiraishi’s Bushido. Based on rakugo, or comic storytelling, the narrative follows Kakunoshin Yanagida (Tsuyoshi Kusanagi) a humble ronin who has fallen on hard times and lives in a small community…

“Zom 100: Bucket List of the Dead” Review

Creating bucket lists to achieve goals or experience new things is a common occurrence for many individuals, but what stops us from fulfilling them? These problems are reflected in the 2023 film adaptation of Zom 100: Bucket List of the Dead. Based on the popular manga comics first created in 2018, the narrative follows Akira…

“Perfect Days” Review

It seems nearly impossible for a director from the West to shoot Tokyo from anything other than a tourist’s perspective. Sofia Coppola’s Lost in Translation and Gaspar Noé’s Enter the Void are seen as the two biggest offenders in this regard, with the Japan Times review of the latter opening with the pithy claim that:…

“Evil Does Not Exist” Review

The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…

Keishi Otomo on Capturing the Samurai Spirit in “The Legend & Butterfly”

Keishi Otomo is no stranger to making Jidaigeki, Japanese period dramas. He has directed many in his prolific career, though he is probably best known for the “Rurouni Kenshin” live-action films. The franchise adapts Nobuhiro Watsuki’s classic manga of the same name across five films: “Rurouni Kenshin”, “Kyoto Inferno”, “The Legend Ends”, “The Final” and…

25th Far East Film Festival: “The Legend & Butterfly” Review

Oda Nobunaga, Japan’s first “great unifier”, has been depicted on screen countless times. Depending on the angle of the narrative the daimyo can either be seen as a hero or villain; romantic lead or malevolent foe; the Fool of Owari or the Demon King. Often his part in unifying the country during the Sengoku period…

Japan’s “Midnight Swan” Wins the 23rd Udine Far East Film Festival.

UDINE – 10 thousand participants on site in Udine and 15 thousand digital participants from 38 countries around the world: that’s the  summary of the success of the Far East Film Festival 23, in its most  experimental form yet. The public understood and enthusiastically supported the opening plan (which it might be more accurate to call a…