Japanese animation is in a class of its own, with a style that is hard to match. While many countries produce visually impressive animated films, very few reach the same level of thoughtful storytelling that Japanese animation delivers. Its real strength is not just the beauty of the artwork or the technical skill behind it,…
Tag: Japanese Cinema
28th Far East Film Festival: In Conversation with Lee Sang-il, Director of “Kokuho”
In Kokuho, the lead character Kikuo must fight to prove his worth as an outsider to the world of Kabuki. For the film’s director, Lee Sang-il, it was art imitating life, he tells View of the Arts. “In the case of Kokuho, we are talking about an art that needs to be followed by your lineage, as in you need to…
28th Far East Film Festival: “All Green” Review
In All Greens, director Takashi Koyama considers what life is like for underprivileged Japanese youth and their quest to get out of their small town. How might they go about that? By selling those titular greens… aka weed. Set in Ibaraki prefecture, where Koyama grew up, teen Boku Hidemi (Sara Minami) has an abusive father,…
28th Far East Film Festival: “Kokuho” Review
What does it take to become the master of an art form? That’s the question at the heart of Lee Sang-il’s exquisite film Kokuho, which recounts the rise of young prodigy Kikuo Tachibana (played by Ryo Yoshizawa and Soya Kurokawa) in the world of kabuki. Kikuo, the son of a Yakuza boss, has a talent…
40th BFI FLARE: London LGBTQIA+ Film Festival: “The Deepest Space in Us” Review
Grief can be especially difficult to process when it is complicated by discovery – when, after someone is gone, you begin to uncover things about their life you never knew existed. In The Deepest Space in Us, written and directed by Yasutomo Chikuma, this kind of loss is at the center of the story. The…
30th Busan International Film Festival: “Dear Stranger” Review
Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…
27th Far East Film Festival: “Angry Squad” Review
When tax collector Kumazawa Jino (Seiyo Uchino) is scammed out of his hard-earned bonus by a professional swindler he is, quite rightly, angry. He decides to go after the man, but when he does find Himuro (Masaki Okada) the scam artist does the unexpected, he offers him a deal: immunity in exchange for help taking…
27th Far East Film Festival: “Cells at Work!” Review
If you’ve ever wondered what happens in the human body then Cells at Work! has the answers, well, kind of. Based on the manga of the same name by Akame Shimizu, Takeuchi Hideki has created a colourful, comical movie that is as hilarious as it is heartfelt. The story is set within the bodies of…
“Cloud” Review: Capitalism and Alienation in the Digital Age
Few directors are as skilled as Japanese auteur Kiyoshi Kurosawa when it comes to articulating the alienation and paranoia of the digital age. One of his first international breakouts, already decades deep into his career, was 2001’s Pulse, a distressing ghost story about the gradual supernatural invasion of the online world which managed to accurately…
Takeuchi Hideki Returns to the Far East Film Festival
Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…
VIEW OF THE ARTS 