In Conversation with A.Conic’s Model: Lee Ju-yeon

Whenever Lee Ju-yeon appears on a runway or at fashion events, she lights up the room with her delicate yet mighty presence. With her strong and beautiful facial features and ballerina-like body, she is the fashion’s ‘dazzling swan’. She walked the runway for countless designers, including Mabel Brempong, Vleeda, Blank Seoul, Studio Seong, R.Shemiste, Vibrate and Daily Mirror…

13th London Korean Film Festival: The Poet and the Boy Review

The Poet and the Boy (Si-e-nui a-rang) is the feature debut for Kim Yang-hee; it premiered at Jeonju International film festival in 2017, and made its way to London Korean Film Festival this fall. The film stars South Korean actor and filmmaker Yang Ik-june, who is best known for his debut film, which he both…

13th London Korean Film Festival: Microhabitat Review

Despite the complexity of portraying homelessness on screen, filmmakers keep rising to the challenge. The South Korean filmmaker Jeon Go-woon skillfully depicted the subject in her debut feature Microhabitat, in which she also questions different aspects of adult life. The film revolves around the character of Mi-so (Esom: Warriors of the Dawn, The Third Charm TV…

13th London Korean Film Festival: The Princess and the Matchmaker Review

A long wait for a premiere of a film never bodes well, even though it might be because the producers want to avoid the film clashing with the releases of other big productions, or because the progress has been slowed down by a prolonged post-production. The latter especially implies that the producer isn’t sure about…

13th London Korean Film Festival: Old Love Review

After living in Canada for many years, Yoon-hee returns to her home country of South Korea to visit her mother who has dementia. Taking a cigarette break outside Incheon airport, she runs into Jung-soo, an old college sweetheart. The pair is surprised to see each other and agrees to catch-up about the last twenty years…

In Conversation with Mamoru Hosoda, Director of ‘Mirai’

“I was envious of those who had siblings when I was younger, I thought that their lives were richer,” anime director Mamoru Hosoda admits to MyM Buzz, as he explains how he came to create the story for his latest film Mirai. A sweet, heart-warming family film about four-year-old Kun, who struggles to accept the arrival of…

3rd London East Asia Film Festival: The Witch: Part 1. The Subversion Review

After the rather minor success, accompanied by mostly unfavourable critiques of his 2017 feature V.I.P, a film where mediocre imagination ruled the depictions of cruel treatment of women, which turned it into a prosaic, occasionally sickening narrative, Park Hoon-jung, who penned The Unjust (2010) and I Saw the Devil (2010), has finally made a proper…

3rd London East Asia Film Festival: In Conversation with Park Hoon-jung and Kim Da-mi of ‘The Witch – Part 1. The Subversion’

Thanks to his distinctive and thoughtful writing style Park Hoon-jung has attracted a vast number of international and domestic fans for his work on Kim Jee-woon’s I Saw the Devil and Ryoo Seung-wan’s The Unjust. He then traded in his writing skills for directing, and in 2013 he made New World, an intriguing film that is arguably one of the most…