Since their formation in 1988, GLAY has built a one-of-a-kind space in the Japanese rock scene, blending diverse styles and evolving over three decades to remain one of the most beloved bands in Asia. I had the chance to sit down with Hisashi, the band’s guitarist, to discuss GLAY’s remarkable journey, the challenges of the past, their new album BACK TO THE POPS, and exciting collaborations with global artists.

The Humble Beginnings of GLAY

Formed in Hokkaido, Japan, GLAY’s story began in a small community where Hisashi and Takuro (G) found common ground in their passion for music. “We eventually made our way to Tokyo,” Hisashi recalls. “Back then, there was no internet or online platforms like we have today. We just believed in our music and pushed through trial and error until our debut.” Their early vision? To create a band that balanced both medium-tempo and upbeat songs, something that has defined GLAY’s sound to this day.

Breaking into Japan’s busy music market in the early ’90s wasn’t easy. The genre landscape was “crowded and complicated,” according to HISASHI. But the hardships only strengthen their resolve. “In an unfamiliar city, GLAY’s music gave me a sense of purpose. Meeting up with the band after long, tiring part-time jobs kept us going.”

As the band grew, so did its lineup, with Jiro (B) joining after several member changes. “That was a turning point for us,” Hisashi reflects. Together, they worked to enhance their sound, leading to their first album Hai to Diamond. Even now, more than three decades later, they still play many of their early songs. “The lyrics have evolved, but the energy and emotion from back then remain with us.”

GLAY’s Musical Evolution and New Album

Fast forward to today, GLAY continues to evolve, with their 17th studio album BACK TO THE POPS set to release on October 9th. The title alone brings a sense of nostalgia, and Hisashi is excited for fans to interpret its meaning. “In the 30 years since our debut, listeners’ lives have changed dramatically. We hope our music can still have a positive impact.”

The new album explores themes and sounds that reflect GLAY’s journey. Hisashi points out two tracks: Beautiful Like You, a song performed on their last tour, and Kaishin no Ichigeki, the theme for the anime Grendizer U. Each song represents a different facet of GLAY’s style, presenting the band’s versatility and innovation.

A Glimpse into GLAY’s Creative Process

With a career spanning over 30 years, one might wonder how GLAY keeps their music fresh while staying true to their roots. For Hisashi, the answer lies in collaboration and adaptability. “GLAY has collaborated with other artists before, but this time we sought a singer who symbolises the current times, which led us to JAY from ENHYPEN. Takuro sent demo tracks from L.A., and we created rough riffs and tracks in Japan. Simultaneously, JAY recorded his demo in Korea, and the song’s overall structure started to take shape. Later, Teru and Takuro went to Korea for JAY’s vocal recordings.”

GLAY’s creative process has also evolved, especially in the post-pandemic era. “After COVID-19, our online session skills improved. Takuro would send us sample tracks from L.A., and we’d work on them remotely. It made the studio sessions more efficient.” This blend of modern technology and decades of experience has allowed GLAY to keep pushing their sound in new directions.

Memorable Collaborations and the Future of GLAY

Speaking of collaborations, and as mentioned earlier, GLAY’s recent work with JAY from ENHYPEN on the track whodunit has been a prominent aspect. Hisashi shares that the collaboration was both unexpected and exciting. “JAY’s cool image and passion for rock brought great chemistry to the track. His performance at our concert in Japan was unforgettable.”

With their eyes set on future collaborations, GLAY shows no signs of slowing down. “There are still many musicians I’d love to work with, both in Japan and internationally,” Hisashi says. As the band continues to explore new sounds and partnerships, they’re also making plans for a potential concert in Venice, Italy, in 2026.

Reflections on a Legendary Career

Looking back on their extensive career, Hisashi shares some of the moments that have stood out to him as particularly meaningful for GLAY. He recalls the significance of the late 1990s, when Japan’s entertainment industry was booming, and large-scale concerts became a defining feature of the era. “At the time, as Japan’s entertainment industry approached the year 2000, there were a number of large-scale concerts attracting huge crowds, symbolising the era of mega to giga.”

Hisashi’s guitar playing has been an integral part of GLAY’s sound, and he reflects on his own journey with the instrument. “I was greatly influenced by Japanese pop music of the time I started music and Western music from the 80s. I particularly liked hard genres like funk metal, and artists like Steve Stevens and Nuno Bettencourt became the foundation for my current style.”

Many fans are curious about the influence X Japan has had on Hisashi’s playing style. He credits Hide from X Japan as a major influence. “Hide’s compositional style, phrasing, and visuals have a timeless appeal, and I believe he continues to inspire many artists. Additionally, X Japan’s introduction of the thrash metal genre to a wider audience, which had been unfamiliar to the Japanese mainstream, was truly sensational.”

A Message to Aspiring Musicians

For young guitarists and musicians looking up to him, Hisashi offers simple advice: “Cherish the core of your music, but also adapt to the changing times. Continuing for 10 or 20 years might lead to unexpected opportunities.” His journey with the guitar started with a deep love for ’80s pop and rock, and his passion for music remains as strong as ever.

As GLAY approaches the release of BACK TO THE POPS, their journey is far from over. With new music, fresh collaborations, and the possibility of a European tour on the horizon, GLAY’s legacy as one of Japan’s most influential rock bands continues to grow. And with that in mind, Hisashi also left a message for his British fans, “Thank you for reading to the end. If you’re interested in GLAY, please check out our videos and music on our official website and YouTube. We have fond memories of recording in the UK and hope to organise a European tour in the near future.”

Written and interviewed by Maggie Gogler

Featured image © Yusuke Okada

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