50th Hong Kong International Film Festival: “We Are Nothing At All” Review

Between 2023 and 2025, Herman Yau churned out seven China–Hong Kong co-productions and mainland Chinese films, including large-scale, action-packed blockbusters like the gritty customs thriller Customs Frontline (2024) and the trilogy capper The White Storm 3: Heaven or Hell (2023). These films demonstrate Yau’s capacity to produce commercially satisfying spectacles with remarkable speed and energy,…

50th Hong Kong International Film Festival: “We Are All Strangers” Review

Celebrating its Golden Jubilee, the Hong Kong International Film Festival 2026 opened with Anthony Chen’s We Are All Strangers. Spending over ten years, Chen wrapped up the “Growing Up” Trilogy after Ilo Ilo (2013) and Wet Season (2019), with these films determined to reflect on the revolving cityscape of Singapore alongside the growth of the…

Korean London Presents: EL CAPITXN to Finally Perform in London

Something remarkable happens when someone who has spent years building for others finally creates for themselves. For most listeners, EL CAPITXN has long been a name tucked into album credits, a producer’s signature, a songwriter’s imprint, the hand behind some of K-pop’s most emotionally powerful records. Within the industry, though, he has always been something of a…

LYKN in Milan: Bellissima Night – Concert Review

The global rise of Thai boy groups is no longer a quiet trend, and we are loving it! Acts like LYKN are beginning to engage international audiences by bringing something wonderfully delightful: a linguistic texture that is refreshingly new to many listeners. Thai, as a language, has that tonal softness to it and a warm…