For ALAMAT, taking their music outside the Philippines has never meant changing who they are to make themselves easier for an international audience to understand, because the Filipino languages, sounds, stories and traditions in their work are not something they add for effect; they are simply part of who the group is. And now, as…
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Beyond Genre: K-Music Festival 2026 Opens in London – Concert Review
The 13th edition of the K-Music Festival opened in London on 28 September 2026 with a night that showed just how difficult contemporary Korean music can be to put into one box. Held at EartH Theatre in East London and curated by the Korean Cultural Centre UK (KCCUK), the opening night brought together artists with…
A Sound of His Own: WOW Talks “LOW”, Afrobeats and Going Solo – Exclusive Interview
When A.C.E debuted with CACTUS in 2017, WOW began a journey that would see him spend the next several years performing, making music and growing alongside the other four members. Since then, the group have moved through different sounds and concepts, never really staying in one place for too long, while WOW has built much…
BIGBANG at Tottenham Hotspur Stadium: Twenty Years In, They Still Know Exactly How to Own a Stage – Concert Review
Twenty years is a long time in pop music and it is surely an eternity in K-pop. When BIGBANG debuted in 2006, the industry they entered looked very different from the one that now fills stadiums thousands of miles away from Seoul. Social media had not yet become the engine through which Korean music travels…
coldrain – “OPTIMIZE = OPTDEMISE” Album Review: Keep the Noise Human
Almost twenty years into their career, coldrain have watched the music industry change dramatically around them. Streaming changed how we listen, social media gave artists new ways to reach audiences, and now AI can write songs, imitate voices and create music in seconds. For five musicians whose work depends so heavily on real people playing,…
74th San Sebastián International Film Festival: “CUTE” Review
Marlene Emilie Lyngstad’s CUTE is hard to watch. Premiering in the New Directors section at the San Sebastian International Film Festival, it takes on one of the most disturbing subjects imaginable without trying to soften it for the audience. What surprised me most, however, is how much of the story is really about loneliness, shame…
Toronto International Film Festival (TIFF26): “Head to Head” Review
Women do not experience oppression in exactly the same way and pretending otherwise helps nobody. Where we are born, the laws we live under, religion, family, money and social expectations can make the differences enormous, but across countries and cultures women still find themselves being told what is appropriate for them: how to dress, how…
Toronto International Film Festival (TIFF26): “Salvation” Review
Scotland is one of the most wonderful places in Europe, and one I always appreciate seeing on screen. Like anywhere else, people there struggle with money, work, family problems and the uncertainty of what comes next, but art remains very much alive, and Scottish cinema has produced filmmakers who have always understood that ordinary lives…
Toronto International Film Festival (TIFF26): “Children Untold” Review
We are taught when wars began and when they ended, who surrendered and who won, but rarely what happened to ordinary people the day after peace was declared. What happened to the children who had no parents to return to, no home, no money and, in many cases, nobody interested in whether they survived? Set…
Toronto International Film Festival (TIFF26): In Conversation with Sim Su-bin of “The World Before”
Sim Su-bin is still at the beginning of her acting career. So far, she has appeared in supporting roles in Korean dramas, alongside her film work, but Yoon Dan-bi’s The World Before gives her the space to show much more of what she can do. As seventeen-year-old Jin, a girl who has never left the…
Toronto International Film Festival (TIFF26): In Conversation with Yoon Dan-bi, Director of “The World Before”
There is nothing overstated about Yoon Dan-bi’s films; her stories take shape through families sharing a home, young people spending time together, conversations that seem ordinary and feelings that are not always easy to explain. Her feature debut, Moving On (2019), follows teenage Okju and her younger brother as they move with their father into…
Toronto International Film Festival (TIFF26): “The World Before” Review
I have always said to myself that not every film needs an extraordinary story. Korean independent cinema has repeatedly shown how much can be found in everyday lives, familiar places and experiences that might, at first, seem too small for the big screen. And, in all honesty, these films do not always have an easy…
83rd Venice Film Festival: “Lovers in the Blue Night” Review
Indian women filmmakers have been behind some truly remarkable independent films in recent years. The talent has always been there; the opportunities have not always followed quite so easily, especially when it comes to making that difficult second film. That is one of the reasons it is so exciting to see Anuparna Roy back at…
83rd Venice Film Festival: “One Minute to Midnight” Review
After I finished watching Nicolas Pariser’s One Minute to Midnight, one question popped into my head: what happens when a man reaches middle age and begins looking back at how he has treated women, loved them, misunderstood them, and perhaps taken certain things for granted? It is a subject worth exploring, especially at a time…
