“The Kid” (1999): Lost Treasure Found and Restored

Coinciding with the Hong Kong Pop Culture Festival 2026, the 25th anniversary of the Hong Kong Film Archive, and what would have been Leslie Cheung’s 70th birthday, The Kid took centre stage at the Grand Theatre of the Hong Kong Cultural Centre. Director Jacob Cheung Chi-leung and the main cast – Ti Lung, Lam Ka-tung,…

aespa’s “LEMONADE” Review: Sweet And Sour

You might not immediately clock why aespa are making so much lemonade, until you remember that old corny English saying. Yes, the K-pop four-piece’s latest title track and similarly-named second album is the girls’ answer to all the lemons life is apparently throwing at them. But that’s the point of these catchy runway tunes these…

79th Cannes Film Festival: “We Are Aliens” Review

Japanese animation is in a class of its own, with a style that is hard to match. While many countries produce visually impressive animated films, very few reach the same level of thoughtful storytelling that Japanese animation delivers. Its real strength is not just the beauty of the artwork or the technical skill behind it,…

79th Cannes Film Festival: “Che Guevara: The Last Companions” Review

Before Che Guevara became a symbol on posters and T-shirts, he was a revolutionary who helped change Cuba forever. Alongside Fidel Castro, he helped overthrow the Batista regime in 1959, promising dignity and equality for ordinary Cubans. Decades later, whether admired or criticised, Che’s shadow still hangs over Cuba and much of Latin America. His…

79th Cannes Film Festival: “Blaise” Review

Dimitri Planchon and Jean-Paul Guigue’s Blaise takes something very ordinary – the fear of saying the wrong thing and the need to be liked – and turns it into one of the strangest and funniest animated films in recent years. Beneath its dry humour and absurd situations lies a painfully honest portrait of people who…