Thanks to his distinctive and thoughtful writing style Park Hoon-jung has attracted a vast number of international and domestic fans for his work on Kim Jee-woon’s I Saw the Devil and Ryoo Seung-wan’s The Unjust. He then traded in his writing skills for directing, and in 2013 he made New World, an intriguing film that is arguably one of the most…
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View of the Arts is run by female arts journalists and works with a diverse team of writers and film critics.
3rd London East Asia Film Festival: Miss Baek Review
Child abuse is a serious problem in South Korea, where the Western trend of permissive education and upbringing never made an entirely successful landing, and where (light) corporal punishment will still hardly draw the attention of authorities, which has lead to horrific numbers of child abuse cases that have been growing at an alarming rate….
3rd London East Asia Film Festival: In Conversation with Han Ji-min of ‘Miss Baek’
Han Ji-min is a South Korean actress who first gained mainstream attention with her performance in 2005 Korean TV series Ressurection. She continued a successful TV career, starring in some of the K-drama world favourites – Yi San, Padam Padam, Rooftop Prince, and Hyde Jekyll, Me. At the same time, she started building a successful…
3rd London East Asia Film Festival: Shoplifters Review
A gentle and emotionally intelligent look at the meaning of family in contemporary Japan. Empathetic, quiet and in-tune with human fragility, this year’s Palme d’Or winner Shoplifters explores the humane need for belonging and connection. Wondering if you can ‘choose’ your family, Hirokazu Koreeda once again perfects the art of drawing genuine heartbreak from an…
3rd London East Asia Film Festival: Tropical Fish Review
Chen Yu-Hsun dishes up a lively and lovable comedy-drama with this New Taiwanese Cinema classic. Originally released in 1995, Tropical Fish encapsulates an authentic and personal look at Taiwanese approaches to family-living and the nation’s harsh school system. Mocking how concerned families are with school exams and how ludicrous the studying regime for adolescents can…
3rd London East Asia Film Festival: Dear Ex Review
When Song Zhengyuan dies, he leaves everything he has to the most important person in his life: his gay lover Jay (Roy Chiu). To his wife Liu Sanlian (Ying-Shiuan Hsieh) this comes as a shock, as it leaves nothing for her and their teenage son Chengxi (Joseph Huang). She’s livid, and jumps at the chance to…
3rd London East Asia Film Festival: In Conversation with Kim Ji-young, Director of ‘Intention’
Kim Ji-young attracted audiences’ attention when he directed two documentaries: Fraser Report – Who Made South Korea Economics Grows Rapidly and Hundred Years’ War in Korea: Two-Face of Syngman Rhyee in 2012. A few years later, along with the help from investigative journalist Oh Hee-jung, he tackled the subject of the Sewol Ferry Disaster. Researched mostly in secret…
3rd London East Asia Film Festival: In Conversation with Kim Yoon-seok of ‘Dark Figure of Crime’
Kim Yoon-seok is a renowned South Korean actor with an extensive filmography and even a few TV-series (K-dramas) under his belt, even though he initially debuted in 1988 as a theatre actor, in the role of Stanley Kowalski in A Streetcar Named Desire, originally portrayed by Marlon Brando on Broadway. It is impossible not to…
3rd London East Asia Film Festival: In Conversation with Kim Tae-gyoon, Director of ‘Dark Figure of Crime’
For a long period of time, Kim Tae-gyoon worked as an assistant director to Kwak Kyung-taek, the director of The Classified File, Friend: The Great Legacy and Eye for an Eye. Over the years, their friendship grew. Kwak Kyung-taek became Kim Tae-gyoon’s mentor, teacher and a friend. While working on the story of Dark Figure of…
3rd London East Asia Film Festival: Dark Figure of Crime Review
Why are there so many unsolved/ghost murder cases out there in the world? Experts might work on as many as they can take on, yet they still cannot solve the crimes that go unnoticed. To the victims’ families, the agony of not knowing what happened to their loved ones is beyond one’s comprehension. But how do…
3rd London East Asia Film Festival: In Conversation with Jang Joon-hwan, Director of ‘1987: When the Day Comes’
Jang Joon-hwan’s first journey into filmmaking started in 1994, when he directed the short film 2001 Imagine. Before moving to make his first feature Save the Green Planet – an odd mix of genres such as thriller, comedy and science fiction, that is now considered to be a cult film – he worked as a cinematographer, scriptwriter…
3rd London East Asia Film Festival: 1987 – When The Day Comes Review
When in 1987, Park Jong-chul, a 21-year-old activist and a student of Linguistics at Seoul National University, died while being questioned by the Anti-Communist Investigations Bureau about whereabouts of the campus leader and the fellow ‘revolutionist’, no one expected that the South Korean political landscape was about to change forever. The authorities insisted that the young…
23rd Busan International Film Festival: In Conversation with Martin Turk, Director of ‘Good Day’s Work’
Martin Turk is a Slovenian-Italian filmmaker, a graduate of University of Ljubljana’s Academy of Theatre, Radio, Film and Television (AGRFT), now based in Ljubljana, Slovenia. He created several award-winning short films that were screened at film festivals across the globe; his most notable creations include his short film Every Day Is Not the Same (2008),…
23rd Busan International Film Festival: Good Day’s Work Review
Sarajevo City of Film for Global Screen (SCF GS) is an initiative by Sarajevo Film Festival and Turkish Radio and Televison, aimed at financing small projects from the countries in the Balkans. The first tender was won by the script for Good Day’s Work, written by Slovenian-Italian filmmaker Martin Turk, but winning the tender had…
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