Today, a mere 9 days before the European audience finds its way to the little town in the Northeast Italy to explore the new and old jewels of Asian Cinema, Udine Far East Film Festival revealed its 2018 lineup. It was to be expected that the 20th anniversary edition of the festival would provide the…
Category: Japanese Cinema
The Third Murder Review
Following the success of his family dramas Like Father, Like Son, which won the Jury Prize at 2013 Cannes Film Festival, Our Little Sister, which competed for Palme d’Or at the 2015 Cannes Film Festival, and the critically acclaimed After the Storm (2016), Japanese film director, producer and screenwriter Hirokazu Kore-eda surprised his faithful audience by veering…
The 22nd Busan International Film Festival: ‘Fireworks, Should We See It from the Side or the Bottom?’ Review
Riding hot on the success of the last year’s Makoto Shinkai’s Your Name, producer Genki Kawamura dished out yet another animated, fantasy high-school romance film this year – but as highly expected as it was, the remake of the 1993 live-action TV drama of the same name, Fireworks, Should We See It from the Side…
Project Itoh’s Genocidal Organ
A word, a whisper in a general’s ear, and just like that a nation will descend into chaos. Neighbour against neighbour, brother against brother, indiscriminate violence to the point where even the leaders forget exactly how it all began. How can something like this happen? And can it really be the work of one man?…
In Conversation with Mori Yoshitaka and Matsuyama Kenichi
This year’s Udine Far East Film Festival offered a great selection of truly excellent films, and among those, some packed an especially powerful emotional charge; in this grouping, there is no doubt that Satoshi: A Move for Tomorrow was among the very best. The film’s screening was accompanied by director Mori Yoshitaka, known best for his Space…
Satoshi: A Move for Tomorrow Review
In the Western cinematic scopes, we can find a number of chess-themed sports films and biopics, but there is a mere handful of productions that feature the Japanese cousin of the popular board game: shogi, known also as ‘Japanese chess’; a sport that has, since its 16th century beginnings, evolved into one of the most…
19th Far East Film Festival: Close-Knit
Tomo has been abandoned by her mother, again. While this isn’t the first time it’s happened, and her mother has been more-or-less an absent parent since day one, it still hurts. Unable to live on her own, the eleven-year-old seeks refuge with her uncle Makio. He gladly accepts but he doesn’t live alone anymore, he…
19th Far East Film Festival: Teiichi: Battle of Supreme High
Teiichi wants to create his own empire. How’s that possible, you may ask? Well, by controlling the student council at his elite high school, of course. If he can run the school then Teiichi’s a shoe in for a prestigious government position, and from there he can even become Prime Minister. With his father’s broken…
19th Far East Film Festival Opening: The Survival Family
On Friday, 21st April 2017, the Far East Film Festival (FEFF) opened the doors of Italy’s Teatro Nuovo Giovanni da Udine for the 19th time; the selected opening film was Shinobu Yaguchi’s The Survival Family that promptly announced one of the “red threads” of this year’s edition: we were up for 10 days of excellent…
19th Far East Film Festival in Udine, Italy (21st – 29th April, 2017)
In less than a week, the 19th edition of the Far East Film Festival (FEFF) will open the doors of Teatro Nuovo “Giovanni da Udine” in Udine, Italy, and East Asian cinema will reign over the little city in the Italian Friuli-Venezia Giulia region for a full 9 days (21st – 29th April 2017). The FEFF…
VIEW OF THE ARTS 