The 25th Busan International Film Festival, which opened on October 21st (Wed), screens its selections School Town King (Thailand) and Sister Sister (Vietnam) simultaneously in Busan and the local countries. It also has a special event where audiences in both countries can converse together through the online GV (Guest Visit). The Busan International Film Festival creates a new type…
Category: Asian Cinema
Master Filmmakers Send Messages of Support to the Busan International Film Festival and Asian Filmmakers
The film industry worldwide was heavily impacted by the COVID-19 pandemic. Many international film festivals are canceled, and most films have halted their productions. Even films already finished are struggling to find screening opportunities. With the Busan International Film Festival, renowned Asian directors and actors have stepped up as Asian Film Ambassadors and sent messages…
25th Busan International Film Festival Announces the Kim Jiseok Award Jurors
Three Jurors to Discover Talented Directors to Lead the Asian Film Industry The Kim Jiseok Award was established in 2017 to honor the late Kim Jiseok, who devotes his life to discovering new Asian directors and supporting the growth of the Asian film industry. Two films will be selected from A Window on Asian Cinema…
25th Busan International Film Festival Introduces Open Cinema Selections
The 25th Busan International Film Festival introduced 6 Open Cinema selections, which to be screened at the BIFF Theater located in Busan Cinema Center from October 21st to 30th. Open Cinema is a section that features a collection of new and internationally acclaimed films that offer both its cinematic quality and popularity. This year’s Open Cinema selections…
London Korean Film Festival Announces Its Full Programme
The London Korean Film Festival (LKFF) is proud to be returning in 2020 for its milestone 15th edition. Taking place from 29 October – 12 November the festival will be going digital for the first time, with 30+ films available online to audiences across the UK, prerecorded interviews, live Q&As and other virtual events, along…
#Alive Review
Zombie movies are one of the most exploited genres in the history of cinema. In today’s pop culture, the undead are a decaying corpse whose delicacy is a human’s body. The genre not only appears in films but also in literature, computer games, and TV series. However, the concept of zombies wasn’t invented by the…
1st Taiwan Film Festival Edinburgh Announces Its Ambitious Programme
The producers of Taiwan Film Festival Edinburgh are pleased to announce their plans for the first ever, free to access edition of the Festival, taking place digitally between 18 and 27 of September. Originally planned as a physical event, the Festival was repivoted to a purely digital form in light of the global pandemic of…
The Last Ferry from Grass Island Review
Amongst the 263 islands that make up Hong Kong, nestled near the Shenzhen border, sits Grass Island. Hiding away in a small fishing village on Grass Island is ex–hitman Ah Hoi (Tai-Bo). Retired from his life of crime, Ah Hoi now spends his days keeping a low profile and looking after his elderly mother, Ah…
22nd Udine Far East Film Festival: Victim(s) Review
Audiovisual texts, mainly film, are a desirable tool in the axiological education of many people. Thanks to the projection-identification mechanism, we can often relate to a film character and experience various emotional states with them, self-reflect and, like pedagogues, improve our quality of life by analysing our own emotions. There is one particular subject that…
22nd Udine Far East Film Festival: The House of Us Review
Wise upon her years, 12-year-old Lee Hana (Kim Na-yeon) is the backbone of her family; acting as a peacekeeper as she tries to calm raging arguments between her parents who are going through a divorce. Constantly cooking dinners in an attempt to bring her family back together – Hana’s gastronomic displays of affection aren’t appreciated…
22nd Udine Far East Film Festival: In Conversation with Eunsoo Cho, Cinematographer of ‘Victim(s)’
Eunsoo Cho, born and raised in Seoul, Korea, has been an avid film lover since she was very young. She studied at the Korean National University of Arts, and received her M.F.A at the School of Cinematic Arts in the University of Southern California. In both schools, her focus was cinematography. Throughout the years, many…
22nd Udine Far East Film Festival – Life Finds a Way Review
Returning with his famous love for shooting in black and white and observing the mundane, Hirobumi Watanabe creates a refreshing and funny reflection on when it means to be a creative and what it means to create in his film Life Finds a Way. Starring as himself, Watanabe is spending the summer living at his…
22nd Udine Far East Film Festival – In Conversation with Layla Ji, Director of ‘Victim(s)’
Layla Ji has always been an ambitious individual. At the age of 18, she decided to move from China to the US to study a double major in Business Management and Radio/TV/Film Production. After four years, she proudly graduated with honours and later went on to study at Columbia University where she finished the MFA…
22nd Udine Far East Film Festival: Ashfall Review
Recently, filmmakers have been attracted to making disaster films more than ever. Whether they show that we would be swallowed by a tsunami, a whirlwind or fires, blown away by a comet, burnt by an erupting volcano or perished by inhaling poisonous gases, the productions have become bold, filled with endless CGI, harrowing action, but…
