Taiwanese romantic comedies can touch one’s heart regardless of their Rotten Tomatoes rating or the narrative itself. And despite the genre, the country’s cinema has always highlighted its culture and people against the wonderful landscapes and pictorial compositions of local architecture. Although rom-coms are filled with cliches, some storylines make the audience analyse their own…
Category: Film events and festivals
23rd Udine Far East Film Festival: “Keep Rolling” Review
On the set of her 2017 film Our Time Will Come, Ann Hui is slapping wet mud all across the backs of actors. Her other hand is clutching a walking cane. She stands in the pouring rain, puffing cigarettes, and yelling orders. Reaching 70 years of age – and spending the past 40 plus years…
Japan’s “Midnight Swan” Wins the 23rd Udine Far East Film Festival.
UDINE – 10 thousand participants on site in Udine and 15 thousand digital participants from 38 countries around the world: that’s the summary of the success of the Far East Film Festival 23, in its most experimental form yet. The public understood and enthusiastically supported the opening plan (which it might be more accurate to call a…
23rd Udine Far East Film Festival: “A is for Agustin” Review
Despite the importance that has been attached to education on a global scale over the years, the world still faces enormous inequalities in terms of access to education. The immediate and most telling effect of not receiving education is illiteracy. While only 3% of people in Europe are illiterate, in South America, Asia and Africa…
23rd Udine Far East Film Festival: “Money Has Four Legs” Review
Wai Bhone (Okkar Dat Khe) sits across from his producer in his office. His producer pours over Wai Bhone’s latest film script. He crosses out lines and spits out suggestions – cut out smoking scenes – they set a bad example, make the criminals more polite – we must show how polite Burmese people are,…
23rd Udine Far East Film Festival: “Shock Wave 2” Review
Good Hong Kong action cinema is like poetry – stuffed with great lead actors, grace, fantasy and pacing, it provides the audience with truly wild action. There is no denial that it has had a huge impact on Hollywood – the appearance of John Woo, Andy Lau, Donnie Yen, Aaron Kwok, Jet Li and Jackie…
23rd Udine Far East Film Festival – “Kundo: Age of the Rampant” Review
While not as stylistically apparent as Kim Jee-woon’s The Good, the Bad, the Weird (2008), Kundo: Age of the Rampant by Yoon Jong-bin is the second highest budget South Korean film, made by using western conventions. The film’s plot is firmly embedded in the late Joseon period and deals with a gang of thieves called…
“Sweat” Review
Social media has been prevalent in our lives for more than a decade, although it feels like filmmakers are only now getting the hang of telling stories about how we exist online without succumbing to cheap moralising. This may be because a new wave of filmmakers who actively use and understand different social media platforms…
“Surge” Review
From Howard Beale in Network decrying everything that’s wrong with America after breaking down on air, to Michael Douglas’ William Foster finding himself railing against his place in the food chain in Falling Down, there’s been a long history of cinema depicting seemingly normal men cracking at the seams, unable to stay sane when faced…
“Censor” Review
The relationship between British filmmakers and the state censor, the BBFC, is an odd and fascinating one. In recent years, several directors have gone on the record to speak about how they show screenplays to the BBFC during their writing process, while the classification board itself even runs a podcast aiming to rehabilitate its image…
VIEW OF THE ARTS 