BlackStar Film Festival: Pier Kids Review

“You can’t choose your family”, or so the saying goes. But for many LGBTQ+ youth this simply isn’t the case, as Elegance Bratton’s hard-hitting and poignant documentary about homeless queer kids of colour shows.

BlackStar Film Festival – ‘Unapologetic’ Review

How many black lives must be lost for the world to listen? How long do they have to fight for the world to understand that black lives matter? The USA has been affected by the unlawful killing of people of colour by the police for many decades, with the last 10 years being the worst….

#Alive Review

Zombie movies are one of the most exploited genres in the history of cinema. In today’s pop culture, the undead are a decaying corpse whose delicacy is a human’s body. The genre not only appears in films but also in literature, computer games, and TV series. However, the concept of zombies wasn’t invented by the…

1st Taiwan Film Festival Edinburgh Announces Its Ambitious Programme

The producers of Taiwan Film Festival Edinburgh are pleased to announce their plans for the first ever, free to access edition of the Festival, taking place digitally between 18 and 27 of September. Originally planned as a physical event, the Festival was repivoted to a purely digital form in light of the global pandemic of…

The Last Ferry from Grass Island Review

Amongst the 263 islands that make up Hong Kong, nestled near the Shenzhen border, sits Grass Island. Hiding away in a small fishing village on Grass Island is ex–hitman Ah Hoi (Tai-Bo). Retired from his life of crime, Ah Hoi now spends his days keeping a low profile and looking after his elderly mother, Ah…

22nd Udine Far East Film Festival: Victim(s) Review

Audiovisual texts, mainly film, are a desirable tool in the axiological education of many people. Thanks to the projection-identification mechanism, we can often relate to a film character and experience various emotional states with them, self-reflect and, like pedagogues, improve our quality of life by analysing our own emotions. There is one particular subject that…

22nd Udine Far East Film Festival: The House of Us Review

Wise upon her years, 12-year-old Lee Hana (Kim Na-yeon) is the backbone of her family; acting as a peacekeeper as she tries to calm raging arguments between her parents who are going through a divorce. Constantly cooking dinners in an attempt to bring her family back together – Hana’s gastronomic displays of affection aren’t appreciated…