After a 5 year hiatus, Jerzy Skolimowski has finally released his new film entitled 11 Minutes. The apocalyptic thriller has already received positive reviews at this year’s Venice International Film Festival, where it was nominated to Golden Lion in the main competition section. It was also screened in the Masters section of the 2015 Toronto…
Category: Film
23rd Raindance Film Festival: Fires on the Plain and In Conversation with Shinya Tsukamoto
Japan’s involvement in the World War II began on December 7 1941, when it attacked the American base in Hawaii, Pearl Harbor. On the same day, Japanese airplanes raided airports in the Philippines, and two days later, the Imperial Army landed in the country and started its carnage. After a few turbulent months of fighting,…
The 59th BFI London Film Festival: He Named Me Malala
He Named Me Malala is a documentary directed by Davis Guggenheim, an American filmmaker whose films, An Inconvenient Truth, It Might Get Loud and Waiting for ‘Superman’, have been in the top 100 highest-grossing documentaries since 2009. Guggenheim’s film tells the story of Malala Yousafazai, a young Pakistani girl who advocates for girls’ education and human rights….
In Conversation with Ryu Seong-hie
Ryu Seong-hie is a Korean Film Production Designer whose creativity and passion for film has no limits. She made a name for herself in 2001, when she gave a helping hand on Song Il-gon’s film Flower Island. The film was later presented with 7 awards, including CinemAvvenire’s award for Best First Film at the Venice Film…
The 9th London Korean Film Festival: Cold Eyes Review
“A slick and clever thriller, with dynamic pacing, strong lensing and a particularly strong use of space” – Pierce Conran, TWITCH Cold Eyes (2013) by Jo Ui-seok and Kim Byung-seo, will grab you by the throat from the very first minute you see Jung Woo-sung (The Divine Move) on the big screen. It is common…
In Conversation with James Bradley on the London Lift-Off Film Festival
Look beyond the gloss, put talent before technology – that is the motto for the upcoming London Lift-Off Film Festival, which aims to expose audiences to the beauty of independent cinema. In the four years since its creation, The Lift-Off Film Festival has grown from a local event into a global exhibition of independent films…
The 9th London Korean Film Festival: Han Gong- ju Review
In 2004, Korea was shocked by one of the country’s most horrific crimes of the 20th century, when three middle school and two high school girls were kidnapped from the city of Miryang and gang raped by more than 40 male pupils. This infuriating event, unfortunately, was only the beginning of the girls’ struggle…
The 9th London Korean Film Festival: A Hard Day Review
A Hard Day is an action- packed movie by Kim Seong- hun, which puts protagonist detective Go Geon- soo (Lee Sun-Kyun) in a tricky situation from the very first scene. Forced to skip his mother’s funeral he rushes to attend an important matter at the police station. Unfortunately, before reaching the destination, he is…
The 9th London Korean Film Festival: Pieta Review
Recently Asian films, South Korean ones in particular, have been overflowing the British film market. Having said that, there’s one remarkable director, whose specific directorial style, often criticized for the excessive brutality and misogyny, drew my attention and it always will, his name is Kim Ki-duk. The first time I came across Kim Ki-duk’s…
The 58th BFI London Film Festival: Rosewater Review
The 2009 Iranian elections saw a controversial win by leader Mahmoud Ahmadinejad over public favourite Mir-Hossein Mousavi which sparked protests in the streets of Iran. Working on behalf of Newsweek, Maziar Bahari travelled to Iran to report on the elections and was soon swept up in the turmoil. After filming and showing the horrors of…
The 58th BFI London Film Festival: The World of Kanako Review
“Why is everyone so obsessed with Kanako?” One character asks under duress to Kanako’s latest victim, Boku, who is desperately seeking the truth about her. Where she is? Why she is? How she is? What is she? Kanako. Kanako. Ka-na-ko. Perhaps it’s fitting then, that The World of Kanako is all about its eponymous character…
The 58th BFI London Film Festival: Silvered Water, Syria Self Portrait Review
“This is the film made of 1001 images shot by 1001 Syrian men and women and I”– Ossama Mohammed Silvered Water, Syria Self Portrait is a film by a Syrian filmmaker Ossama Mohammed, who is now living in Paris as a political refugee with his wife, and a Kurdish activist, Simav Bedirxan, who shot…
The 58th BFI London Film Festival: Hill of Freedom Review
For a film that was selected for the laugh category at this year’s BFI London Film Festival, the least you’d expect is Hill of Freedom to be funny. Instead Hong Sang-soo’s film is poorly paced with little acting or directorial merit to speak of. The film follows Mori, a Japanese man searching for his…
The 22nd Raindance Film Festival: Panic Review
Desperation can make people do crazy things – and there’s no greater demonstration of that than Sean Spencer’s Panic. With London as its backdrop, Panic is a study in urban isolation, desperation, and London’s ghost community through music journalist Andrew Deeley’s subjective lens. Influences from Hitchcock’s classic Rear Window are immediately obvious, reminiscent in Deeley…
