Does it or does it not? Suck, that is? We seem to have several very loud sides in this discussion; from Marvel fans, all to happy to jump at anything DC and DCEU, to DC fans, loudly defending not only this film, but also the previous DC hits and misses (and let’s face it, there…
Category: Film
The 12 London Korean Film Festival: Warriors of the Dawn Review
In 1592, the Korean Peninsula suffered a surprise attack by Japanese forces, led by Imperial Regent Toyotomi Hideyoshi, who intended to conquer the Joseon-ruled Korean Peninsula as a gateway to the Ming-dynasty-ruled Chinese territory; the initial invasion started the so-called Imjin War which lasted until 1598, for seven years, and just like any other war,…
The 12th London Korean Film Festival: The First Lap Review
The London leg of the 12th London Korean Film festival came to a close this year with The First Lap, the second feature of an up-and-coming South Korean indie filmmaker Kim Dae-hwan, who is being continuously compared to his fellow SK indie filmmaker and film festival favourite Hong Sang-soo – and yet, it is The…
The 12 London Korean Film Festival: The Merciless Review
What motivates acts of betrayal and revenge, two of cinema’s favourite subjects that have been characterised in popular culture in various ways? There is no direct answer to that, but it seems like the attempts to illustrate them as destructive powers had worked out sufficiently thus far. The theme of revenge became somewhat of a speciality…
The 12th London Korean Film Festival: The Outlaws Review
Gangster themes have been featured in South Korean cinema since the 1970’s, but they only became popular in the early 1990’s. Various productions ‘promoted’ the image of an ‘honourable’ mobster; however, in the past decade or so, films took on a more vicious approach to the subject matter; they became more brutal, with homicides and…
The 12th London Korean Film Festival: In Conversation with Kang Yoon-sung, Director of ‘The Outlaws’
Kang Yoon-sung was once an actor with a single credit under his name. He himself stated “I knew I had no talent in acting” – and one could say thank god for that, since because of it, Korean cinema gained a talented writer and film director, whose debut feature conquered both domestic and overseas markets….
The 12th London Korean Film Festival: Jamsil Review
Lee Wan-min is a young South Korean filmmaker. She directed several shorts, including Chima (2006), Mensrea (2008), Sang (2009) and Mock or Die (2010), and in 2016, she presented her first feature, Jamsil (2016), which she both wrote and directed, at the 21st Busan International Film Festival; this year, the film was screened in the Women’s…
Blade Runner 2049 Review
35 years ago, Ridley Scott released Blade Runner, a film that eventually marked a major spot in film history, even though its future did not seem bright back in 1982 – the futuristic, neo-noir sci-fi film flopped on all levels and found itself drowned in harsh criticism that was only dispelled a decade later, with…
The 12th London Korean Film Festival: Master Review
In the world where corruption and scams have become a multilevel maze, it is hard not to notice that the contemporary film industry started making more films that expose the current state of the world’s society, including politics, juridical system and commercial establishments. South Korean cinema is one of those tools that bring the aforementioned…
The 2nd London East Asia Film Festival: The Mimic Review
In 2013, Huh Jung’s feature directorial debut Hide and Seek was up against blockbusters such as The Terror Live, Flu and Snowpiercer, and no one expected that the low-budget thriller would on the domestic South Korean market become a hit alongside the three aforementioned productions. 4 years later, Huh Jung is back with The Mimic and it is as…
VIEW OF THE ARTS 