The 25th Raindance Film Festival: The Liberation of Skopje Review

When on April 17th 1941, Kingdom of Yugoslavia fell under the Nazi Germany and its allies, the nearby Kingdom of Bulgaria and the lives of those living in the country were severely disrupted. Dušan Jovanović (Born 1939), a theatre director, essayist and playwright, used the aforementioned events as an interesting subject in his 1977 play…

The 25th Raindance Film Festival: Scaffolding Review

Matan Yair taught literature in Israel for almost a decade before he switched to film-making. While teaching the subject, he came across individuals from various backgrounds – including challenging youngsters. Matan Yair believed that he could inspire his pupils by letting them follow their own path of self-discovery. One of his students was Asher – his…

The 25th Raindance Film Festival: Siblings Review

There are over 11 million of unauthorised immigrants in the United States, including 5.6 million Mexicans who labour in fields, restaurant kitchens and factories. When not caught and sent to detention centres and courts, they try to survive under the radar, away from immigration officers while chasing their “American Dream”. The Founding Fathers may have…

The 2nd London East Asia Film Festival Programme Announced

Here it is, here it is, hear me jump with joy! The 2nd London East Asia Film Festival has announced its programme and it looks amazing! LEAFF’s successful previous edition has led to its second year, and the festival is getting more and more attention. The 2nd LEAFF will run from 19th to 29th of…

The 74th Venice International Film Festival – Hunting Season Review

Argentinian film director Natalia Garagiola wrote and directed 3 short films between 2011 and 2014, two of which (Mares and Parakeets, 2012 and Sundays, 2014) premiered at Festival de Cannes. Her debut feature, Hunting Season (Temporada de Caza, 2017), premiered during the International Critics’ Week of the 74th Venice International Film Festival – and promptly won…

The 74th Venice International Film Festival: Strange Colours Review

Born in Russia and based in Australia, Alena Lodkina has started her filmmaking odyssey by directing documentaries and short productions which were screened at festivals around the globe, including at Melbourne International Film Festival, Antenna Documentary Festival and Belo Horizonte International Short Film Festival. Her feature debut project Strange Colours, alongside with Mazen Khaled’s Martyr, premiered in Biennale…

The 74th Venice International Film Festival: Martyr Review 

Mazen Khaled, with two features and four shorts under his belt, has already impressed critics with his promising film-making; seen as an art-house type of a director, his style undoubtedly aims at the niche market rather then at the mainstream audience. His new work, Martyr, was recognised by the Venice International Film Festival and presented…

The 74th Venice International Film Festival: Above the Law Review

The atmosphere of gangster films has always resonated with darkness, violence and drugs, and more often than not involved bank robberies. In conjunction with a number of excellent directors, it is no wonder that the history of this genre is rich with outstanding films, and Above the Law (French: Tueurs) is one of those explosive,…