Exhilarating Exhibition On The Life Of Audrey Hepburn

American director Billy Wilder once said: “God kissed Audrey Hepburn on the cheek, and there she was”, Audrey was born to be a star. She never desired to be one, but against all odds, she became one of the most beloved actresses of the 20th century, an icon of elegance, and a great humanitarian. In…

The Rose Brings More Than Magic to Their London Performance

The Rose, a four-piece band, has turned into an unexpected phenomenon. Formed over two years ago in Seoul, South Korea, the group has rapidly gained an incredible number of international supporters. Consisting of Woo-sung (leader, lead vocals), Do-joon (keyboard, main vocals), Ha-joon (drums) and Jae-hyeong (bass), The Rose has become the perfect cure for one’s…

Let There Be Light Review

Father of three Milan (Milan Ondrík) works abroad in Germany as a construction worker – sending money back home to his wife and family in Slovakia. Just before Christmas, he drives back to his small town in Slovakia to spend the holidays with his family. When Milan arrives home, he realises that in his absence…

Vertigo (Enduring) Review

Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…

The King Review

Timothée Chalamet was proclaimed a revelation after his stunning performance in Call Me by Your Name (2017) and Beautiful Boy (2018). This year, Timothée’s winning streak is back again with two new films: The King, a Netflix production directed by David Michôd, and the long-awaited Little Women by Greta Gerwig, which is set for a December release. Prior…

4th London East Asia Film Festival: Opening Night Gala – Exit Review

Up amongst Seoul’s rollercoaster of a skyline, Yong-nam (Jo Jung-suk) and Eui-Ju (Lim Yoona) are hurdling from building to building desperately trying to outrun and outsmart the toxic fog slowly following them across the city. Opening up this year’s London East Asia Film Festival, Lee Sang-geun’s feature debut Exit is a joyful, lively but somewhat…

63rd BFI London Film Festival: Moffie Review

Tucked up in their dorm beds, sandwiched between lumpy mattresses and itchy blankets, South African soldiers are swapping stories. One of them starts to tell the story of two soldiers found kissing in a bathroom stall – ‘Moffies’ they’re derogatorily named. After being caught the pair are dragged out and thrown in front of their…

2019 Zandari Festa in Seoul – Dead Buttons

Like all great adventures, the Dead Buttons gig at Zandari Festa ended too soon. Deep in the belly of Seoul’s Club FF surrounded by layers of graffiti and stickers on neon washed walls, a small stage held Dead Buttons and all their energy, all their sound, all their passion. As the venue filled and the…

63rd BFI London Film Festival: The Last Black Man in San Francisco Review

Balancing together on the same beat-up skateboard, Jimmie (Jimmie Fails) and his best friend Montgomery (Jonathan Majors) fly through the streets of San Francisco. A symphony of soaring strings and thunderous, belting horns explodes behind them – over the top of which, a soapbox preacher urges that ‘We are these homes! We built them!… This…

63rd BFI London Film Festival: The Dude in Me Review

Body swap comedies are beloved for their bold and ludicrous takes on what happens when opposites switch. Defined by the occurrence of two characters swapping physical states but maintaining their prior personalities, body swap films offer up absurd and fanciful interpretations of what can happen when you take characters and place them in an extreme…