“It took me sixteen years to make Seoul Searching and bring it onto the big screen,” Benson Lee admits in the interview for View of the Arts. Seoul Searching, based on the filmmaker’s personal experiences, is an endearing youth comedy which depicts foreign-born teenagers of Korean ancestry learning what it means to be Korean, and…
Tag: Asian Cinema
In Conversation with Teo Yoo
Teo Yoo, born and raised in Germany, left for New York City at the age of 20, to study acting at the prestigious Lee Strasberg Theatre and Film Institute, a school known for its notable alumni such as Christoph Waltz, Bridget Fonda and Uma Thurman. After New York, he travelled to London where he took on an intensive course…
Min Kyu Dong’s The Treacherous
I have honestly lost count of how many period films, set in the Joseon Dynasty, have been made in Korea. It seems like this particular kingdom, which was founded by Yi Seong-gye in 1392, has left a significant legacy for modern Korea; not only when it comes to societal norms, attitudes and language, but it…
Memories of the Sword Review
It has been two years since Lee Byung- hun showed his acting talents off in a Korean production. He was recently seen in American films such as Terminator Genisys, RED 2 and G.I. Joe Retaliation, and has two English speaking movies in the pipeline: Misconduct, alongside Al Pacino and Anthony Hopkins, and Magnificent Seven, a remake of…
The 59th London Film Festival: In Conversation with Choi Dong-hoon, director of ‘Assassination’
Choi Dong-hoon, a South Korean director, began his voyage into filmmaking in 2004 when he released The Big Swing, a crime thriller, which brought him instantaneous praise from domestic and foreign critics. A couple of years later, Choi Dong-hoon repeated his previous success with another interesting production, Tazza: The High Rollers, an adaptation of Huh Young-man and…
The 10th London Korean Film Festival: We Will Be Ok Review
Would You Rather Die than Lead an Ordinary Life? It happens, every once upon a film festival moon. Those of you who have visited a film festival or two – especially if you were there as press – know what the usual rhythm is like. You dig and tread and boot and occasionally half-sleep your…
The 9th London Korean Film Festival: Pieta Review
Recently Asian films, South Korean ones in particular, have been overflowing the British film market. Having said that, there’s one remarkable director, whose specific directorial style, often criticized for the excessive brutality and misogyny, drew my attention and it always will, his name is Kim Ki-duk. The first time I came across Kim Ki-duk’s…
The 8th London Korean Film Festival: Hope (Wish)
How much love, understanding and commitment is needed for parents to overcome a horrendous incident that happens to their child? Can the family stick together against all odds? Hope (Wish), directed by Lee Joon-ik, is set in a rural South Korean town and focuses on the story of the 8 year old girl, So-won (Lee…
The 8th London Korean Film Festival: Secretly, Greatly
Who doesn’t want to be a spy? A secret double life and all the perks that go along with the job, right? However, when it comes to Ryn-han’s (Kim Soo-hyun) character, being a spy doesn’t mean you have the glamorous life of James Bond. Instead, one lives the life of a brainless young man who…
The 57th BFI London Film Festival: Lebanon Emotion
This year’s London Film Festival spoiled the audience with a great amount of Asian films including a few from South Korea. Apart from subtle drama Nobody’s Daughter Haewon by Hong Sang-soo and the comedy of manners Our Sunhi by the same filmmaker, it’s time to mention Lebanon Emotion by Jung Young-heon, a first-time director, whose…
VIEW OF THE ARTS 