Steven Yeun greets me with a big smile and a warm handshake as we meet at the Mayfair hotel in London on a cold October morning. We sit down and chat about what it means to be a Korean-American, his latest production Burning, and working with Lee Chang-dong. Born in Seoul, South Korea and raised […]
The attempts to translate Haruki Murakami‘s prose into the cinematic language have so far mostly ended in spectacular disasters, or – in the best case – garnered mixed reviews, probably due to the specific style of the writer. But the fates have changed when Lee Chang-dong, the director of Poetry and Peppermint Candy, returned after 6 years of […]
