12.12: The Day is the new cinematic offering from Kim Sung-su, a South Korean filmmaker well-known for Musa, Asura: The City of Madness, and Flu. And, just like his previous works, 12.12: The Day is a gripping and powerful narrative filled with sublime performances.

In the wake of President Park’s assassination in 1979, the political scene in South Korea was thrown into turmoil. Martial law was swiftly declared, immediately bringing forth a period of power struggles and uncertainty. Security commander Chun Doo-gwang grabs this opportunity to stage a coup, rallying loyal officers to his cause. However, his plan faces a few hurdles along the way. Lee Tae-shin emerges as a challenging figure within the Capital Garrison Command. He vigorously opposes military intervention in politics, sparking a tense confrontation with Chun and his supporters. As tensions grow, the conflict between Lee and Chun exposes deep divisions within the military ranks. Decisions are postponed, and key figures, such as the Minister of Defence, vanish, further worsening the chaos.

Hwang Jung-min (Deliver Us From Evil, Hunt) delivers a superb portrayal of Major General Chun Doo-gwang, drawing inspiration from the real-life figure Chun Doo-hwan, who would go on to become the fifth President of South Korea. With a powerful presence and steely determination, Hwang Jung-min perfectly shows the ambition and ruthlessness of a military leader seizing power in a disordered system. Opposite him, Jung Woo-sung shines in the role of Major General Lee Tae-shin, a character modelled after Jang Tae-wan, the Commander of the Capital Garrison Command. Jung Woo-sung brings depth and conviction to the role, portraying Lee as a man of principles and integrity, fiercely committed to upholding the separation of military and political spheres.

Lee Sung-min delivers a compelling performance as General Jeong Sang-ho, inspired by Jeong Seung-hwa, the Army Chief of Staff. Through Lee’s nuanced portrayal, General Jeong emerges as a figure torn between loyalty to his comrades and the weight of moral responsibility in a time of political upheaval. Park Hae-joon (Believer) embodies the role of Major General Noh Tae-geon, based on Roh Tae-woo, a close ally of Chun Doo-hwan who would later ascend to the presidency. With subtle charisma and calculated ambition, he portrays Noh as a strategic player navigating the treacherous currents of military and political intrigue. Finally, Kim Sung-kyun (Nameless Gangster: Rules of the Time) delivers a memorable performance as Brigadier General Kim Jun-yeop, drawing inspiration from Kim Jin-ki, the military police inspector at the Army Headquarters. With a blend of authority and restraint, Kim Sung-kyun captures the tension and complexity of a military officer dealing with a mental battle between his duty and his conscience. Together, these performances amplify the film, filling it with depth and narrative richness as it explores one of the most important moments in South Korean history.

12.12: The Day is a politically charged thriller that is both dark and intense. The film’s outstanding cinematography and atmospheric qualities emulate the style of 1970s filmmaking, with techniques like split screens enhancing the gripping tension throughout.

Kim’s latest film is also a moving reminder of the importance of understanding Korean history – 12.12: The Day’s narrative encourages viewers to further examine the interesting yet tragic stories of the nation’s past. Without a doubt, this incredible political thriller is another remarkable addition to the filmmaker’s repertoire. 

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Written by Maggie Gogler

Featured image courtesy of Megabox Plus M

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