BLITZERS can be seen as underdogs of K-pop, a group whose charm lies not just in their crisp choreography or catchy hooks, but in the way they combine their youth charisma and musical experimentation. Since their debut, they have steadily built a reputation, and while they might be slightly underrated, they are truly a versatile and talented group. Now, BLITZERS are taking a step forward with the launch of their new sub-unit, NPC, a trio that is about to explore a new territory.
The debut single from NPC, Creeper, is exactly the kind of playful, fun project that fans have come to expect, but with a distinctly experimental twist. “At first, I thought of putting the song on a music platform called SoundCloud,” WOOJU explains. “[And] the initial idea came from wanting to create something fun together with Juhan-hyung.” That spark of casual creativity grew into a fully-fledged concept, a track that mixes R&B, pop, and electronic elements, reminding me of retro video games. “The beat and melody of the current song harmonise well with the arcade sensibility,” JUHAN says. “So I came up with the theme of Creeper. The lyrics are also organised to fit the theme well with the game elements.”
The whimsical charm of the song reflects the single’s visual concept. The cover art draws on pixel-style visuals from retro gaming, aligning effortlessly with the track’s sonic character. SYA elaborates, “The sound itself has a game element, so I made a song with the theme of the character Creeper from Minecraft!”
Unlike larger group promotions with BLITZERS, NPC allows the members to take full creative control. All three members participated in writing and composing Creeper, and their collaboration was an effortless mix of individual expression. “Each of us wrote lyrics and respected each other’s style, so we didn’t give feedback to one another,” SYA explains. “The hook melody was made by WOOJU and JUHAN, so we followed it.” The process of creating the song was equally intuitive for the rap and vocal sections. “I don’t approach it differently,” SYA continues. “I work by humming the melody first and making lyrics that fit it!”
Of course, any collaborative process comes with its moments of tension. WOOJU recalls a small creative disagreement over the hook lyrics: “There was some disagreement, but since there were three members, I decided by a majority.” Even these moments, however, reflect the maturity and mutual respect that each member brings to NPC. The result is a song that is cohesive yet filled with the individual quirks and musical instincts of its three creators.
With Creeper, NPC brings a sound that feels new and different from BLITZERS’ wider discography. “If we did what the company or producers made when we promoted as BLITZERS, we did everything ourselves this time,” JUHAN says. It’s a chance to show sides of themselves that may not have fit within the larger group’s concept, a freedom that has produced something truly original. WOOJU adds, “I thought it’d be nice to have an unfamiliar feeling. It’s not common for idols to release songs of this genre as a unit.”

Looking ahead, NPC is keen to try more. “With our activities as NPC, we feel we can finally show the public the unique musical colour we want to share. Because of that, we’ll keep challenging ourselves with different genres, learning as we go, and delivering music that feels genuine to us,” JUHAN said. For SYA, it’s a message of gratitude and forward momentum: “Thank you for always supporting us and listening without change. We’ll keep bringing you lots of good music.” WOOJU sums up the trio’s ethos perfectly: “While making Creeper, I really wanted to share many different vibes with you. If a new song comes out, celebrate with us, just that alone makes me happy, Blee!”
I like how BLITZERS not only introduced a new unit but also opened a space for creativity and personal expression. From the arcade-like beats to the retro visuals and the members’ direct involvement in every part of the process, Creeper feels like a confident and joyful first step into something new. For fans, it’s a chance to see WOOJU, JUHAN, and SYA shine on their own while hinting at even more surprises ahead. As NPC continues to experiment with different genres, moods, and concepts, I feel this sub-unit is ready to make a strong impact on the K-pop scene.
Written and interviewed by Maggie Gogler
Featured image courtesy of WUZO Entertainment
View of the Arts is an online publication dedicated to films, music, and the arts, with a strong focus on the Asian entertainment industry. With rich content already available to our readers, we aim to expand our reach and grow alongside our audience by delving deeper into emerging platforms such as K-pop and Asian music more broadly. At the same time, we remain committed to exploring the vibrant and ever-evolving global landscape of film, music, and the arts, celebrating the immense talent and creativity that define these industries worldwide.

