Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…
Category: Asian Cinema
Time to Hunt Review
South Korean cinema is well-known for its perturbing thrillers such as Oldboy, Lady Vengeance, I Saw the Devil, Memories of Murder as well as the latest hit, Parasite. Although those films broke into the mainstream film market, South Korean productions are still not ‘in fashion’ like French, Scandinavian or American cinema. However, with the new…
Hanxiong Bo’s Drifting Review
Since the late ‘70s, China has implemented a strict policy enforcing that each family is only allowed to have one child in order to control China’s growing population. Although this policy was reformed in 2016, the controversial ‘one-child’ policy has had devastating and traumatic effects on families for generations. Growing up during the height of…
To Celebrate the Release of Takashi Miike’s ‘First Love’, Here are Takashi Miike’s Top 5 Yakuza Films
Super-entertaining Takashi Miike crime thriller First Love is a Tarantino-beating bonanza that opens with a decapitated head rolling into the frame and doesn’t let up for 108 minutes. The Yakuza genre is one Miike delved into early on in his career with great success, and now he’s jumped back into the world of Tokyo gangsters in…
In Conversation with Lee Sang-geun, Director of ‘Exit’
Lee Sang-geun began his career as a filmmaker in 1999 by making short films. In 2006, Lee was awarded Best Film at the Mise-en-scène Short Film Festival and, a year later, he received the Grand Prix at the Daegu Short Film Festival for Mr. Self-Portrait. In addition to directing, Lee worked as a production assistant on 2008…
14th London Korean Film Festival: In Conversation with Lee Byeong-heon, Director of ‘Extreme Job’
Before moving behind a camera, Lee Byeong-heon worked as a writer, script editor and actor. He gained huge popularity in 2015 when he released Twenty, a coming-of-age film starring Kim Woo-bin, Lee Jun-ho, and Kang Ha-neul, the biggest stars of their generation. After Twenty, he went on to direct web drama Be Positive (2016) and…
14th London Korean Film festival: The Odd Family, Zombie On Sale Review
Train to Busan (2016) established that there is both room and potential for zombie flicks in Korean cinema, and there has been a flood of undead-themed films and TV series in the past few years, with their makers hell-bent on achieving the same success as Yeon Sang-ho‘s action thriller. Some of the K-zombie projects, surprisingly,…
14th London Korean Film Festival: Birthday Review
In the early hours of the morning on April 16th 2014, followed by heart-wrenching days of rescue, the hearts of the South Korean nation broke as one as the ferry MV Sewol sank and claimed the lives of 304 passengers and crew members. The tragedy was made worse as 250 of the victims were juniors…
14th London Korean Film Festival: Extreme Job Review
A fried chicken restaurant and a highly incompetent narcotic squad – what could possibly go wrong? Extreme Job is Lee Byeong-heon’s newest production that has unexpectedly become the second highest grossing film in the history of Korean cinema, with over $120 million box-office profit against a $5.8 million budget – it is no wonder that a Hollywood…
Vertigo (Enduring) Review
Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…
VIEW OF THE ARTS 