Several screams pierced the air – and the girl next to me even lost her shoe – in the Teatro Nuovo theatre on the humid Sunday night screening at the 20th Udine Far East Film festival; the audience was completely immersed in a roller-coaster viewing one can only expect from a true-to-the-bone South Korean thriller….
Category: Asian Cinema
20th Udine Far East Film Festival: In Conversation with Steel Rain’s Kwak Do-won, Jung Woo-sung and Yang Woo-suk
In 2019, director Lee Han (Thread of Lies, Punch) made a return with a courtroom drama with elements of comedy and thriller that revolves around a defense lawyer (Jung Woo-sung) who is trying to get his client acquitted by getting the only witness to murder, an autistic girl (Kim Hyang-gi), to testify. Innocent Witness got screened during the…
20th Udine Far East Film Festival: Little Forest Review
Reflection, a slow pace of life… and life, dictated by the four seasons, are themes, rarely depicted in Korean cinema; instead, more viewers are attracted to the adrenaline-packed productions, full of well-known actors. But 2018 marked a change of tide – the leading female “auteur of Korean New Wave cinema” Yim Soon-rye adopted Little Forest, the two-volume…
Udine Far East Film Festival Reveals Its 20th Anniversary Edition Lineup
Today, a mere 9 days before the European audience finds its way to the little town in the Northeast Italy to explore the new and old jewels of Asian Cinema, Udine Far East Film Festival revealed its 2018 lineup. It was to be expected that the 20th anniversary edition of the festival would provide the…
Steel Rain Review
Netflix seems to have become every film goer’s Elysium; it has grown into a wholesome VOD platform, with country-specific contents, and has successfully moved even further as a global producer of TV shows and films. Even with some hit-and-miss productions, Netflix provides an easy access to a good selection of films from around the globe….
I Can Speak Review
We often associate Kim Hyun-seok, a South Korean film director and screenwriter, with the 2000 Park Chan-wook feature Joint Security Area, for which Kim co-wrote the script. The audience might also recognize the filmmaker for his feel-good films such as When Romance Meets Destiny (2005), Cyrano Agency (2010) or C’est si bon (2015). The newest Hyun-seok’s production, which received Best…
The Third Murder Review
Following the success of his family dramas Like Father, Like Son, which won the Jury Prize at 2013 Cannes Film Festival, Our Little Sister, which competed for Palme d’Or at the 2015 Cannes Film Festival, and the critically acclaimed After the Storm (2016), Japanese film director, producer and screenwriter Hirokazu Kore-eda surprised his faithful audience by veering…
The 12 London Korean Film Festival: Warriors of the Dawn Review
In 1592, the Korean Peninsula suffered a surprise attack by Japanese forces, led by Imperial Regent Toyotomi Hideyoshi, who intended to conquer the Joseon-ruled Korean Peninsula as a gateway to the Ming-dynasty-ruled Chinese territory; the initial invasion started the so-called Imjin War which lasted until 1598, for seven years, and just like any other war,…
The 12th London Korean Film Festival: In Conversation with Kim Dae-hwan, Director of ‘The First Lap’
Kim Dae-hwan is an up-and-coming South Korean film director; while still in college, he directed two short films, Picnic (2010) and Interview (2011); he introduced his debut feature, End of Winter, to the audience in 2014, while studying post-grad at Dankook University’s Graduate School of Cinematic Content. Two years later, Jeonju Cinema Projects helped fund his…
The 12th London Korean Film Festival: The First Lap Review
The London leg of the 12th London Korean Film festival came to a close this year with The First Lap, the second feature of an up-and-coming South Korean indie filmmaker Kim Dae-hwan, who is being continuously compared to his fellow SK indie filmmaker and film festival favourite Hong Sang-soo – and yet, it is The…
The 12 London Korean Film Festival: The Merciless Review
What motivates acts of betrayal and revenge, two of cinema’s favourite subjects that have been characterised in popular culture in various ways? There is no direct answer to that, but it seems like the attempts to illustrate them as destructive powers had worked out sufficiently thus far. The theme of revenge became somewhat of a speciality…
The 12th London Korean Film Festival: The Outlaws Review
Gangster themes have been featured in South Korean cinema since the 1970’s, but they only became popular in the early 1990’s. Various productions ‘promoted’ the image of an ‘honourable’ mobster; however, in the past decade or so, films took on a more vicious approach to the subject matter; they became more brutal, with homicides and…
The 12th London Korean Film Festival: In Conversation with Kang Yoon-sung, Director of ‘The Outlaws’
Kang Yoon-sung was once an actor with a single credit under his name. He himself stated “I knew I had no talent in acting” – and one could say thank god for that, since because of it, Korean cinema gained a talented writer and film director, whose debut feature conquered both domestic and overseas markets….
The 12th London Korean Film Festival: Jamsil Review
Lee Wan-min is a young South Korean filmmaker. She directed several shorts, including Chima (2006), Mensrea (2008), Sang (2009) and Mock or Die (2010), and in 2016, she presented her first feature, Jamsil (2016), which she both wrote and directed, at the 21st Busan International Film Festival; this year, the film was screened in the Women’s…
