13th London Korean Film Festival: The Poet and the Boy Review

The Poet and the Boy (Si-e-nui a-rang) is the feature debut for Kim Yang-hee; it premiered at Jeonju International film festival in 2017, and made its way to London Korean Film Festival this fall. The film stars South Korean actor and filmmaker Yang Ik-june, who is best known for his debut film, which he both…

13th London Korean Film Festival: Microhabitat Review

Despite the complexity of portraying homelessness on screen, filmmakers keep rising to the challenge. The South Korean filmmaker Jeon Go-woon skillfully depicted the subject in her debut feature Microhabitat, in which she also questions different aspects of adult life. The film revolves around the character of Mi-so (Esom: Warriors of the Dawn, The Third Charm TV…

13th London Korean Film Festival: The Princess and the Matchmaker Review

A long wait for a premiere of a film never bodes well, even though it might be because the producers want to avoid the film clashing with the releases of other big productions, or because the progress has been slowed down by a prolonged post-production. The latter especially implies that the producer isn’t sure about…

13th London Korean Film Festival: Old Love Review

After living in Canada for many years, Yoon-hee returns to her home country of South Korea to visit her mother who has dementia. Taking a cigarette break outside Incheon airport, she runs into Jung-soo, an old college sweetheart. The pair is surprised to see each other and agrees to catch-up about the last twenty years…

3rd London East Asia Film Festival: In Conversation with Park Hoon-jung and Kim Da-mi of ‘The Witch – Part 1. The Subversion’

Thanks to his distinctive and thoughtful writing style Park Hoon-jung has attracted a vast number of international and domestic fans for his work on Kim Jee-woon’s I Saw the Devil and Ryoo Seung-wan’s The Unjust. He then traded in his writing skills for directing, and in 2013 he made New World, an intriguing film that is arguably one of the most…

3rd London East Asia Film Festival: Miss Baek Review

Child abuse is a serious problem in South Korea, where the Western trend of permissive education and upbringing never made an entirely successful landing, and where (light) corporal punishment will still hardly draw the attention of authorities, which has lead to horrific numbers of child abuse cases that have been growing at an alarming rate….

3rd London East Asia Film Festival: Tropical Fish Review

Chen Yu-Hsun dishes up a lively and lovable comedy-drama with this New Taiwanese Cinema classic. Originally released in 1995, Tropical Fish encapsulates an authentic and personal look at Taiwanese approaches to family-living and the nation’s harsh school system. Mocking how concerned families are with school exams and how ludicrous the studying regime for adolescents can…