Sunny days are rare in the UK during the Autumn, but who needs them when Ryu Jun-yeol is in London and his bright personality and smile brightens up the day? At one of London’s hotels, the actor greets us with a warm handshake. As we sit comfortably on the Victorian looking sofa, he enthusiastically invites…
Category: Foreign Films
63rd BFI London Film Festival: The Dude in Me Review
Body swap comedies are beloved for their bold and ludicrous takes on what happens when opposites switch. Defined by the occurrence of two characters swapping physical states but maintaining their prior personalities, body swap films offer up absurd and fanciful interpretations of what can happen when you take characters and place them in an extreme…
76th Venice International Film Festival: Lingua Franca Review
As the Trump reign rages on, the illegal immigrants are solidly placed among the most marginalized and prosecuted groups in the USA, even though the government’s zero-tolerance policy hasn’t quite quenched the numbers of those seeking a brighter future in what used to be seen as the land of the free. In 2017, the estimate…
76th Venice International Film Festival: Chola (Shadow of Water) Review
Chola is an uncompromising and uncomfortable film that attempts to tackle the alarming sexually oppressed female experience of modern India. Yet, while writer/director Sanal Kumar Sasidharan pretties and dresses up the journey with wide, ambitiously beautiful shots of rural Kerala, the destination is left jarringly raw and brutally morbid. What starts as a charmingly simple…
76th Venice International Film Festival: Just 6.5 Metri Shisho Nim Review
For over a decade, Iran has been witnessing a rise in the number of drug addicts; drug abuse, which is often concentrated on the use of opium and its derivative substances, has risen double in the country since 2017 and even with strict laws and punishments, it seems like there is still no successful solution…
Bong Joon-ho’s Parasite Review
Seeing Bong Joon-ho’s work makes one believe time and again that the art of film excellence has not yet disappeared. South Korean director, known for The Host, Okja and Snowpiercer, gifted the film goers with yet another sublime production of his this year: Parasite; a perverse, comical, contemporary yet daunting film that won the Palme…
Swing Kids Review
Musicals are a rarity in South Korean cinema, even if there are South Korean productions out there with traces of music themes, thrown into the middle of the film or found close to the end credits – but that does not qualify those movies as musicals. Swing Kids, directed by Kang Hyeong-cheol (Tazza: The Hidden Card),…
In Conversation with Lee Min-jae and Uhm Ji-won of ‘The Odd Family: Zombie On Sale’
Uhm Ji-won is a South Korean actress whose career started in the late 1990’s. Her talent’s were first recognized with her performance of a subdued wife in the erotic thriller The Scarlet Letter (2004). She later played the leading role in Hong Sang-soo’s Tale of Cinema (2005), and worked with Hong again on his 2008…
The Odd Family: Zombie on Sale Review
Train to Busan (2016) established that there is both room and potential for zombie flicks in Korean cinema, and there has been a flood of undead-themed films and TV series in the past few years, with their makers hell-bent on achieving the same success as Yeon Sang-ho‘s action thriller. Some of the K-zombie projects, surprisingly,…
Juris Kursietis’ Oleg Review
The decision to leave one’s home country is never easy and no one really knows what awaits them out there. Oleg by Juris Kursietis weaves its way along this line, painting a relatable immigrant story of Oleg (Valentin Novopolskij), a Latvian butcher who moves to Belgium in search of a better life. He gets a job…
VIEW OF THE ARTS 