Park Hoon-jung, a South Korean filmmaker, has – thanks to his distinctive and thoughtful writing style – attracted a vast number of international and domestic viewers to Kim Jee-woon’s I Saw the Devil and Ryoo Seung-wan’s The Unjust. His directing skills then allowed him to make New World, an intriguing film and one of the most gripping Korean gangster productions…
Category: Foreign Films
The 2nd London East Asia Film Festival: Anarchist from Colony Review
For the past few years, Korean cinema has been swamped with various period films, in which the country’s turbulent history has been amalgamating fiction, action and frequently monotonous anti-Japanese propaganda. Although successful within the domestic market, it is rare for historical dramas to achieve an overseas 5-star rating; and one such film is Lee Joon-ik’s…
The 22nd Busan International Film Festival: A Tiger In Winter Review
The topic of a creative slowdown is popular among authors in all nooks and crannies of the creative dimension, since it is the ultimate “tiger” that prays upon the auteur world. With the tiger also being one of the strongest animal representations of Korea and its people, the layers of metaphor in the title of…
The 22nd Busan International Film Festival: ‘Fireworks, Should We See It from the Side or the Bottom?’ Review
Riding hot on the success of the last year’s Makoto Shinkai’s Your Name, producer Genki Kawamura dished out yet another animated, fantasy high-school romance film this year – but as highly expected as it was, the remake of the 1993 live-action TV drama of the same name, Fireworks, Should We See It from the Side…
The 22nd Busan International Film Festival: Australia Day Review
Australia Day is the official holiday – National Day – of Australia, celebrating the anniversary of the 1788 arrival of the British to Port Jackson in New South Wales. It is a controversial holiday for many reasons, especially for the indigenous peoples of Australia. It is this day that was chosen as the titular background…
The 22nd Busan International Film Festival: Glass Garden Review
South Korean filmmaker Shin Su-won is one of those rare female Asian filmmakers that have managed to break through the male-dominated walls of the industry to not only get noticed, but acknowledged. Her debut, self-produced feature Passerby #3 managed to immediately snag both domestic and international attention – it even won the Best Asian-Middle Eastern Film…
The 61st BFI London Film Festival: Wajib Review
Annemarie Jacir, a Palestinian poet and filmmaker, is – to me – the true queen of independent cinema; she is also the voice of those who need to be heard and seen – the ‘voice’ of Palestine. Her career has been marked by unforgettable (and several award-winning) projects, such as A Post Oslo History (2001), The…
The 2nd London East Asia Film Festival: In Conversation with Jeon Hye-jung, the Festival Director
Jeon Hye-jung – who was once a lecturer at a prestigious university in Korea with a background in performing arts – left South Korea many years ago and settled in London. At the beginning of her UK ‘adventure’, she took a position at London Korean Cultural Centre UK, heading government projects and festivals to promote…
The 25th Raindance Film Festival: In Conversation with Matan Yair, Director of ‘Scaffolding’
Matan Yair had been teaching literature in Israel for almost a decade before he made his feature debut Scaffolding. While teaching the subject, he came across individuals from various backgrounds – including challenging youngsters. Matan Yair believed that he could inspire his pupils by letting them follow their own path of self-awareness, by reading poetry and…
The 25th Raindance Film Festival: In Conversation with Rade and Danilo Šerbedžija, Directors of ‘The Liberation of Skopje’
Rade Šerbedžija, born in Bunić, Yugoslavia (now Croatia), is a well-established actor with over 180 (!) film credits. He began his career after graduating from the Academy of Dramatic Arts of the University of Zagreb. He started to perform in films while he was a student, while he also performed at the Gavella Drama Theatre and at…
The 25th Raindance Film Festival: The Liberation of Skopje Review
When on April 17th 1941, Kingdom of Yugoslavia fell under the Nazi Germany and its allies, the nearby Kingdom of Bulgaria and the lives of those living in the country were severely disrupted. Dušan Jovanović (Born 1939), a theatre director, essayist and playwright, used the aforementioned events as an interesting subject in his 1977 play…
The 25th Raindance Film Festival: Scaffolding Review
Matan Yair taught literature in Israel for almost a decade before he switched to film-making. While teaching the subject, he came across individuals from various backgrounds – including challenging youngsters. Matan Yair believed that he could inspire his pupils by letting them follow their own path of self-discovery. One of his students was Asher – his…
The 25th Raindance Film Festival: Siblings Review
There are over 11 million of unauthorised immigrants in the United States, including 5.6 million Mexicans who labour in fields, restaurant kitchens and factories. When not caught and sent to detention centres and courts, they try to survive under the radar, away from immigration officers while chasing their “American Dream”. The Founding Fathers may have…
The 74th Venice International Film Festival: Martyr Review
Mazen Khaled, with two features and four shorts under his belt, has already impressed critics with his promising film-making; seen as an art-house type of a director, his style undoubtedly aims at the niche market rather then at the mainstream audience. His new work, Martyr, was recognised by the Venice International Film Festival and presented…
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