Annemarie Jacir, a Palestinian poet and filmmaker, is – to me – the true queen of independent cinema; she is also the voice of those who need to be heard and seen – the ‘voice’ of Palestine. Her career has been marked by unforgettable (and several award-winning) projects, such as A Post Oslo History (2001), The…
Category: Foreign Films
The 2nd London East Asia Film Festival: In Conversation with Jeon Hye-jung, the Festival Director
Jeon Hye-jung – who was once a lecturer at a prestigious university in Korea with a background in performing arts – left South Korea many years ago and settled in London. At the beginning of her UK ‘adventure’, she took a position at London Korean Cultural Centre UK, heading government projects and festivals to promote…
The 25th Raindance Film Festival: In Conversation with Matan Yair, Director of ‘Scaffolding’
Matan Yair had been teaching literature in Israel for almost a decade before he made his feature debut Scaffolding. While teaching the subject, he came across individuals from various backgrounds – including challenging youngsters. Matan Yair believed that he could inspire his pupils by letting them follow their own path of self-awareness, by reading poetry and…
The 25th Raindance Film Festival: In Conversation with Rade and Danilo Šerbedžija, Directors of ‘The Liberation of Skopje’
Rade Šerbedžija, born in Bunić, Yugoslavia (now Croatia), is a well-established actor with over 180 (!) film credits. He began his career after graduating from the Academy of Dramatic Arts of the University of Zagreb. He started to perform in films while he was a student, while he also performed at the Gavella Drama Theatre and at…
The 25th Raindance Film Festival: The Liberation of Skopje Review
When on April 17th 1941, Kingdom of Yugoslavia fell under the Nazi Germany and its allies, the nearby Kingdom of Bulgaria and the lives of those living in the country were severely disrupted. Dušan Jovanović (Born 1939), a theatre director, essayist and playwright, used the aforementioned events as an interesting subject in his 1977 play…
The 25th Raindance Film Festival: Scaffolding Review
Matan Yair taught literature in Israel for almost a decade before he switched to film-making. While teaching the subject, he came across individuals from various backgrounds – including challenging youngsters. Matan Yair believed that he could inspire his pupils by letting them follow their own path of self-discovery. One of his students was Asher – his…
The 25th Raindance Film Festival: Siblings Review
There are over 11 million of unauthorised immigrants in the United States, including 5.6 million Mexicans who labour in fields, restaurant kitchens and factories. When not caught and sent to detention centres and courts, they try to survive under the radar, away from immigration officers while chasing their “American Dream”. The Founding Fathers may have…
The 74th Venice International Film Festival: Martyr Review
Mazen Khaled, with two features and four shorts under his belt, has already impressed critics with his promising film-making; seen as an art-house type of a director, his style undoubtedly aims at the niche market rather then at the mainstream audience. His new work, Martyr, was recognised by the Venice International Film Festival and presented…
Aldo Iuliano’s Penalty: Short Film Review
In the middle of nowhere, on a grass patch among scattered bushes, a group of younger men is playing a game of football. It looks innocent at first, with basically no audible dialogue. But there is a growing sense of desperation and aggression involved in the game, up until the moment when one of the…
Santiago Paladines’ The Fare: Short Film Review
Somewhere in the USA, the police comes into “a drop house” – a hideaway where illegal immigrants are being kept by traffickers before transporting them deeper into the country – and what they witness is a plastic rubbish bag, filled with human waste. In it, there is a man who is barely alive, and next…
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