Kim Jee-woon is a natural-born filmmaker who, with his alluring script-writing, has never been afraid to tackle a new film genre. With eight feature films and six shorts under his belt, he has already gone down in film history as one of the most influential Korean directors. Kim Jee-woon had no formal training in filmmaking; he…
Category: Foreign Films
The 21st Busan International Film Festival: Highlights of the Opening Night
The 21st Busan International Film Festival (BIFF) has finally kicked off with Zhang Lu’s A Quiet Dream; ahead of the opening night, there was a press conference for the film which was attended by the film director Lu himself, Yang Ik-june (an actor and a director, known for his independent film productions) and Lee Joo-young; on…
The 60th BFI London Film Festival: Creepy Review
Kiyoshi Kurosawa – a Japanese horror maestro – attracted critics’ attention with his 1997 Cure, a horror film in the purest sense of the word, with an ability to unsettle the audience that was a second to none; Cure also got recognition from various international film festivals and has become one of the most haunting Japanese motion…
The 60th BFI London Film Festival: The Handmaiden Review
The South Korean film director Park Chan-wook has always been an exceptional writer of seductive and pulsating narratives, like Oldboy, Lady Vengeance and Thirst, to name just a few. His newest production, The Handmaiden, is yet another enchanting piece of writing. It is also a fascinating interpretation of the Welsh novel Fingersmith, written by Sarah Walters; while…
The 60th BFI London Film Festival: The Wailing Review
Na Hong-jin is – in every respect – the maharishi of thriller; when his previous films The Chaser (2008) and The Yellow Sea (2010) were released in Korea and Europe, they put critics and film goers at the edge of their seats, proving that his sophisticated writing and directing is one of a kind. The audience had to wait six…
In Conversation with Ravi V. Patel and Geeta V.Patel
“The funniest doc I’ve seen in years and a sure-fire Oscar contender,” exclaimed Scott Feinberg from The Hollywood Reporter when he was asked about Meet the Patels. Without a doubt, it is a humorous and charming film, which definitely breaks certain stereotypes concerning Indian traditional process of the arranged marriage; it also shows that their arranged marriage is…
London Korean Film Festival 2016- Teaser Screening: The Throne
There hasn’t been a single moment when I was left disappointed by Lee Joon-ik’s work; every one of his films is truly exceptional. Well-known for his period drama films and still associated with his 2005 King and The Clown – which brought him an international recognition – Lee Joon-ik cleverly balances historical events with a real…
In Conversation with Adrian Lo
Pottery is as much a philosophy as it is an art form. In Mashiko and Kasama, two regions of Japan which is the home to some of the best potters in the world, this is especially the case. Those that work in these areas spend decades perfecting their craft, refining their skills until they are…
Pablo Larrain’s The Club
Many estimated directors have (had) a muse that inspired and encouraged their creations, and Pablo Larrain seems to be no different. It started with Larrain’s second feature and the depiction of human darkness that comes from the obsession with the limelight in Tony Manero (Larrain, 2008), continued with politically-ridden hysteria and violence, imbued with emotion…
In Conversation with Baek Jae-ho
Before embarking on a career as a director, Baek Jae-ho performed as an actor in 17 films. In addition to acting and directing, he now works as a producer, cinematographer and screenwriter; in this respect, Baek Jae-ho is like Bob the Builder of Korean cinema. His recent project and directorial debut, We Will Be Ok, was…
VIEW OF THE ARTS 