Lee Kyoung-mi’s The Truth Beneath, a superb dark thriller, was the Opening Night film at this year’s London Korean Film Festival. Co-written by Park Chan-wook, The Truth Beneath takes the audience on a terrifying journey through the dirty corners of the world of politics and through the personal pain of the protagonist, Yeon-hong (Son Ye-jin)….
Category: Foreign Films
The 1st London East Asia Film Festival: The World of Us
As we grow up and get busy pretending that we are fully-fledged adults, we sometimes forget the trials and losses and gains that helped us grow and shaped us while we were growing up. Childhood is the era in one’s life when friends have as much influence as family – or even more; and it…
The 1st London East Asia Film Festival: Spirits’ Homecoming
The subject of ‘comfort women’ has always been a complex and uncomfortable one for the Japanese government. 40 years after the Second World War ended, Japan finally acknowledged that the country forced many Korean women and teenagers into military brothels. Sadly, for some people and the ‘comfort women’ in particular, this wasn’t seen as sincere apology….
The 21st Busan International Film Festival: Jane
Jane – a film about Sohyun (Lee Min-ji), a runaway – is a 2016 feature debut from Cho Hyun-hoon. The director’s professional voyage into filmmaking started when his short film Metamorphosis got invited to Busan Asian Short Film Festival in 2007. In 2013, another short film of his, The Mother’s Family, was invited to Indie Forum Mise-en-scene…
The 21st Busan International Film Festival: Afterimage (Powidoki)
The good Lord gave the director two eyes – one to look into the camera, the other to be alert to everything that is going on around him.- Andrzej Wajda 1926- 2016 Busan, South Korea. I was sitting in the Busan International Film Festival press office when I heard that one of my favourite Polish directors,…
The 21st Busan International Film Festival: The Salesman
Asghar Farhadi, an Iranian filmmaker, made his first short film at the age of 13, while he attended a youth drama club. He shaped his film-making style gradually while studying Harold Pinter’s plays at the University of Teheran. He then moved on to study stage direction at the Tarbias Modares University, where he wrote for television and also wrote…
The 21st Busan International Film Festival: The Age of Shadows
Kim Jee-woon is a natural-born filmmaker who, with his alluring script-writing, has never been afraid to tackle a new film genre. With eight feature films and six shorts under his belt, he has already gone down in film history as one of the most influential Korean directors. Kim Jee-woon had no formal training in filmmaking; he…
The 21st Busan International Film Festival: Highlights of the Opening Night
The 21st Busan International Film Festival (BIFF) has finally kicked off with Zhang Lu’s A Quiet Dream; ahead of the opening night, there was a press conference for the film which was attended by the film director Lu himself, Yang Ik-june (an actor and a director, known for his independent film productions) and Lee Joo-young; on…
The 60th BFI London Film Festival: Creepy Review
Kiyoshi Kurosawa – a Japanese horror maestro – attracted critics’ attention with his 1997 Cure, a horror film in the purest sense of the word, with an ability to unsettle the audience that was a second to none; Cure also got recognition from various international film festivals and has become one of the most haunting Japanese motion…
The 60th BFI London Film Festival: The Handmaiden Review
The South Korean film director Park Chan-wook has always been an exceptional writer of seductive and pulsating narratives, like Oldboy, Lady Vengeance and Thirst, to name just a few. His newest production, The Handmaiden, is yet another enchanting piece of writing. It is also a fascinating interpretation of the Welsh novel Fingersmith, written by Sarah Walters; while…
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