20th Udine Far East Film Festival: The Blood of Wolves Review

Yakuza films, as a genre, have evolved exponentially since they first emerged in the silent movie era of the Japanese film industry. Initially depicted as sympathetic Robin Hood-like characters who were forced to live their lives as outlaws, it wasn’t until the 1970s that the violent, brutish image of Yakuza as we know it came…

The Third Murder Review

Following the success of his family dramas Like Father, Like Son, which won the Jury Prize at 2013 Cannes Film Festival, Our Little Sister, which competed for Palme d’Or at the 2015  Cannes Film Festival, and the critically acclaimed After the Storm (2016), Japanese film director, producer and screenwriter Hirokazu Kore-eda surprised his faithful audience by veering…

Project Itoh’s Genocidal Organ

A word, a whisper in a general’s ear, and just like that a nation will descend into chaos. Neighbour against neighbour, brother against brother, indiscriminate violence to the point where even the leaders forget exactly how it all began. How can something like this happen? And can it really be the work of one man?…

19th Far East Film Festival: Close-Knit

Tomo has been abandoned by her mother, again. While this isn’t the first time it’s happened, and her mother has been more-or-less an absent parent since day one, it still hurts. Unable to live on her own, the eleven-year-old seeks refuge with her uncle Makio. He gladly accepts but he doesn’t live alone anymore, he…

19th Far East Film Festival Opening: The Survival Family

On Friday, 21st April 2017, the Far East Film Festival (FEFF) opened the doors of Italy’s Teatro Nuovo Giovanni da Udine for the 19th time; the selected opening film was Shinobu Yaguchi’s The Survival Family that promptly announced one of the “red threads” of this year’s edition: we were up for 10 days of excellent…

The 60th BFI London Film Festival: Creepy Review

Kiyoshi Kurosawa – a Japanese horror maestro – attracted critics’ attention with his 1997 Cure, a horror film in the purest sense of the word, with an ability to unsettle the audience that was a second to none; Cure also got recognition from various international film festivals and has become one of the most haunting Japanese motion…

Studio Ghibli’s When Marnie Was There

Adapting British children’s books seems to be a speciality for Studio Ghibli. First there was Howl’s Moving Castle, then Arriety and now When Marnie Was There, which – depending on whether the studio has a rethink at some point in the future – is set to be Ghibli’s final release. In which case the Studio is going out on a high….

The 58th BFI London Film Festival: The World of Kanako Review

“Why is everyone so obsessed with Kanako?” One character asks under duress to Kanako’s latest victim, Boku, who is desperately seeking the truth about her. Where she is? Why she is? How she is? What is she? Kanako. Kanako. Ka-na-ko. Perhaps it’s fitting then, that The World of Kanako is all about its eponymous character…

The 22nd Raindance Film Festival: The Horses of Fukushima

On March 11th 2011 a powerful earthquake struck Japan. As a result, a giant tsunami devastated the North-East coast, where over 18,000 people lost their lives. Sadly the seismic sea wave caused horrific damage to the Fukushima nuclear reactor as well. In May 2011, it was confirmed that a serious leak was detected in one…