Warning: Spoilers ahead. Just off the coast of Panama, in the indigenous Guna Yala province, sits an island town vibrant with colourful clothes and happy faces. Ustupo is home to a community of some 2,000 Guna people, whose rich culture and pride in their community is kept well alive to date. 50 years ago, French…
Tag: Venice International Film Festival
79th Venice International Film Festival – “Burning Hearts” Review
Deep in the Apulian countryside, resides two powerful families with a venomous hatred of each other – the Malatestas and the Camporeales. It’s been around 40 years since their last bloodshed and ever since both families have been stuck in a tense stalemate with each other. All until the young Malatesta heir Andrea (Francesco Patanè)…
79th Venice International Film Festival – “World War III” Review
“History doesn’t repeat itself, but it often rhymes.” Houman Seyedi’s World War III starts with this quote oft-attributed to Mark Twain. One of the four Iranian titles premiering at Venice this year and the director’s sixth feature, the Orizzonti section finalist proves a bracing slow-burner that leaves you gaping by the time the credits start…
78th Venice International Film Festival: “Erasing Frank” Review
Punk has always been the music of rebellion. It might sound like an obvious statement, but this particular genre – from the very beginning of the musical trend within the punk subculture – became the music of the youth. Those who lived in the 1970s and 1980s under the communist regime managed to raise their…
78th Venice International Film Festival: “Dusk Stone” Review
We watch a young boy wander along a windy shoreline in the middle of the night. With him, he’s got his dog, a backpack, and a torch which he shines out onto the sea. He’s looking for the mythical creature that supposedly lurks in these waters. This is the last time we (or anyone else)…
76th Venice International Film Festival: Lingua Franca Review
As the Trump reign rages on, the illegal immigrants are solidly placed among the most marginalized and prosecuted groups in the USA, even though the government’s zero-tolerance policy hasn’t quite quenched the numbers of those seeking a brighter future in what used to be seen as the land of the free. In 2017, the estimate…
75th Venice Film Festival: Emma Peeters Review
Emma Peeters is the second feature of the Belgian-American filmmaker Nicole Palo, following her 2009 debut feature Get Born. The international title Emma Peeters says little about her second feature, while its original title Le Suicide d’Emma Peeters, when translated directly into The Suicide of Emma Peeters, immediately paints a different picture – but despite its…
75th Venice Film Festival: Tel Aviv on Fire Review
Over the past several years, a new wave of Palestinian film directors, working on different genres, has constructed a specific, on-screen national identity. The projected images of the Palestinian productions have become much more political than the earlier narratives about the life and history of the Palestinians. However, there are still some stories to be…
The 74th Venice International Film Festival – Hunting Season Review
Argentinian film director Natalia Garagiola wrote and directed 3 short films between 2011 and 2014, two of which (Mares and Parakeets, 2012 and Sundays, 2014) premiered at Festival de Cannes. Her debut feature, Hunting Season (Temporada de Caza, 2017), premiered during the International Critics’ Week of the 74th Venice International Film Festival – and promptly won…
The 74th Venice International Film Festival: Martyr Review
Mazen Khaled, with two features and four shorts under his belt, has already impressed critics with his promising film-making; seen as an art-house type of a director, his style undoubtedly aims at the niche market rather then at the mainstream audience. His new work, Martyr, was recognised by the Venice International Film Festival and presented…
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