22nd Udine Far East Film Festival: Dance with Me Review

Shizuka Suzuki (Ayaka Miyoshi) hates musicals, or at least that’s what she claims after a traumatic incident from her childhood leads her to despise the stage. So, when she decides to take her niece to visit a fair in the park and magician Machin Ueda (Akira Takarada) hypnotises her into turning all life situations into…

22nd Udine Far East Film Festival: Vertigo Review

Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…

A Syrian Woman: Human Stories from Jordan Review

When Syria plunged into a civil war in 2011, no one could have predicted that the conflict between its own people would turn into a multi-sided battle, in which mostly civilians had suffered. Brutal slaughter, acts of terror, political and social consequences of military operations led to an unprecedented humanitarian crisis: almost half a million…

Time to Hunt Review

South Korean cinema is well-known for its perturbing thrillers such as Oldboy, Lady Vengeance, I Saw the Devil, Memories of Murder as well as the latest hit, Parasite. Although those films broke into the mainstream film market, South Korean productions are still not ‘in fashion’ like French, Scandinavian or American cinema. However, with the new…

Hanxiong Bo’s Drifting Review

Since the late ‘70s, China has implemented a strict policy enforcing that each family is only allowed to have one child in order to control China’s growing population.  Although this policy was reformed in 2016, the controversial ‘one-child’ policy has had devastating and traumatic effects on families for generations. Growing up during the height of…

Gets Good Light Review

Coming out of the growing ‘Abolish ICE’ movement – Gets Good Light is a compassionate and powerful protest against the growing powers of the Immigrant and Customs Enforcement Agency in the United States. Since the start of Trump’s administration, the number of individuals apprehended by ICE has only grown – approximately 4,143 undocumented immigrants without…

70th Berlin International Film Festival: Jumbo Review

Machines have feelings just like us, or at least that’s what Zoé Wittock’s debut feature film Jumbo would have you believe. Centred on the love affair between Jeanne (A Portrait of a Lady on Fire’s Noémie Merlant) and a theme park ride she’s named Jumbo, this erotic drama, which is based on a ‘true’ story,…

70th Berlin International Film Festival: Yalda – A Night For Forgiveness Review

It took a while for Iranian cinema to come to light, nonetheless, this doesn’t mean that there haven’t been any works worth paying attention to. With Abbas Kiarostami, Rakhshān Banietemad, Bahram Beyzai, Dariush Mehrjui, and Asghar Farhadi paving the way for worldwide recognition, Iranian cinema became a frequent ‘guest’ at many prestigious film festivals. Although…

Brotherhood Review

Nominated for Best Live Action Short Film at the 92nd Oscar Awards, Meryam Joobeur’s Brotherhood is an emotive, discerning and complex look at ISIS’ effect locally on Tunisian families. Mohamed (Mohamed Grayaâ) and his wife, Salha (Salha Nasraoui), are devout Muslims living quiet lives as shepherds with two of their sons in rural Tunisia. A…

In Conversation with Lee Sang-geun, Director of ‘Exit’

Lee Sang-geun began his career as a filmmaker in 1999 by making short films. In 2006, Lee was awarded Best Film at the Mise-en-scène Short Film Festival and, a year later, he received the Grand Prix at the Daegu Short Film Festival for Mr. Self-Portrait. In addition to directing, Lee worked as a production assistant on 2008…