In Indian mythology, Asura is a god or a demon. Kim Sung-soo’s new production by no means reveals his film’s characters as gods; on the contrary, they are a group of nefarious people, including an unscrupulous detective Ha Do-kyung (Jung Woo-sung: A Moment to Remember, Cold Eyes) and covetous mayor Park Sun-bae (Hwang Jung-min: The Wailing, Veteran). Asura: The…
Tag: Asian Cinema
The 11th London Korean Film Festival: The Truth Beneath (Opening Night)
Lee Kyoung-mi’s The Truth Beneath, a superb dark thriller, was the Opening Night film at this year’s London Korean Film Festival. Co-written by Park Chan-wook, The Truth Beneath takes the audience on a terrifying journey through the dirty corners of the world of politics and through the personal pain of the protagonist, Yeon-hong (Son Ye-jin)….
The 1st London East Asia Film Festival: Tunnel
Hunger, thirst, anxiety, a struggle to save a man’s life and the craft of drinking urine are the highlights of Kim Seong-hun’s new film Tunnel. Previously known for his action-packed film Hard Day, the film director has decided to put his next protagonist in a collapsed tunnel, just to make his life more depressing. It all…
In Conversation with Lee Dong-eun, director of ‘In Between Seasons’
Lee Dong-eun started his career path as a student of economics and journalism who – like many others – had an idea for a story and a dream to become a filmmaker; unlike many others, he managed to make his dream into reality through hard work and by being unafraid to take the long road: “In Between…
The 21st Busan International Film Festival: In Between Seasons
Busan International Film Festival (BIFF) is divided into several sections; among these, the international competition “New Currents” section holds the most importance for the new and emerging Asian directors; each year, only the select promising directors with their first or at most second features can take part in the competition to win the prestigious New Currents…
The 21st Busan International Film Festival: The Age of Shadows
Kim Jee-woon is a natural-born filmmaker who, with his alluring script-writing, has never been afraid to tackle a new film genre. With eight feature films and six shorts under his belt, he has already gone down in film history as one of the most influential Korean directors. Kim Jee-woon had no formal training in filmmaking; he…
The 21st Busan International Film Festival: Highlights of the Opening Night
The 21st Busan International Film Festival (BIFF) has finally kicked off with Zhang Lu’s A Quiet Dream; ahead of the opening night, there was a press conference for the film which was attended by the film director Lu himself, Yang Ik-june (an actor and a director, known for his independent film productions) and Lee Joo-young; on…
The 60th BFI London Film Festival: Creepy Review
Kiyoshi Kurosawa – a Japanese horror maestro – attracted critics’ attention with his 1997 Cure, a horror film in the purest sense of the word, with an ability to unsettle the audience that was a second to none; Cure also got recognition from various international film festivals and has become one of the most haunting Japanese motion…
The 60th BFI London Film Festival: The Handmaiden Review
The South Korean film director Park Chan-wook has always been an exceptional writer of seductive and pulsating narratives, like Oldboy, Lady Vengeance and Thirst, to name just a few. His newest production, The Handmaiden, is yet another enchanting piece of writing. It is also a fascinating interpretation of the Welsh novel Fingersmith, written by Sarah Walters; while…
The 60th BFI London Film Festival: The Wailing Review
Na Hong-jin is – in every respect – the maharishi of thriller; when his previous films The Chaser (2008) and The Yellow Sea (2010) were released in Korea and Europe, they put critics and film goers at the edge of their seats, proving that his sophisticated writing and directing is one of a kind. The audience had to wait six…
VIEW OF THE ARTS 