In the colorful world of Japanese manga live-action adaptations and musical-themed film productions, we can find a series of films that center around pop- and rock-bands that practically ooze ‘ikemen’ (good looking men) by the seams, while there is an (un)surprising lack of such films centering on female music groups. The reason for that lies […]
Today, a mere 9 days before the European audience finds its way to the little town in the Northeast Italy to explore the new and old jewels of Asian Cinema, Udine Far East Film Festival revealed its 2018 lineup. It was to be expected that the 20th anniversary edition of the festival would provide the […]
Where to event start with Feng Xiaogang? He is a Chinese director, producer, screenwriter and actor, whose career has spanned for over 30 years. While bravely battling censorship, he has created a number of commercially immensely successful films, such as Be There or Be Square (Bújiàn búsàn, 1998), Cell Phone (Shŏujī, 2003), A World Without […]
Kim Tae-yoon appears to be a fairly ‘new’ director on the South Korean cinematic scene, given that he only has three director credits under his belt (with him also being the screenwriter for all of his projects), even though his debut feature, A Cruel Attendance, dates all the way back to 2006. 3 features in […]
In less than a week, the 19th edition of the Far East Film Festival (FEFF) will open the doors of Teatro Nuovo “Giovanni da Udine” in Udine, Italy, and East Asian cinema will reign over the little city in the Italian Friuli-Venezia Giulia region for a full 9 days (21st – 29th April 2017). The FEFF […]
VIEW OF THE ARTS 