I Can Speak Review

We often associate Kim Hyun-seok, a South Korean film director and screenwriter, with the 2000 Park Chan-wook feature Joint Security Area, for which Kim co-wrote the script. The audience might also recognize the filmmaker for his feel-good films such as When Romance Meets Destiny (2005), Cyrano Agency (2010) or C’est si bon (2015). The newest Hyun-seok’s production, which received Best…

The 12th London Korean Film Festival: Master Review

In the world where corruption and scams have become a multilevel maze, it is hard not to notice that the contemporary film industry started making more films that expose the current state of the world’s society, including politics, juridical system and commercial establishments. South Korean cinema is one of those tools that bring the aforementioned…

A Taxi Driver Review

“As a journalist, you shouldn’t be in a place that’s too comfortable,” German reporter Jürgen Hinzpeter says to his colleagues as they discuss the civil unrest in Gwangju, South Korea. He craves an interesting story, a chance to uncover a hidden truth to the world so when he hears about what’s happening there, he knows he must go….

19th Far East Film Festival: New Trial

Injustice, corruption, and oppression of the underprivileged are continuing topics in the South Korean motion pictures, but instead of focusing on the themes of personal vengeance, filmmakers often turn to common social issues to raise public awareness. 2000. In the southern city of Iksan, a 15-year-old boy was sentenced to 10 years in prison for…

In Conversation with Catherine Bailey

Catherine Bailey, a charming British actress, is often recognised for her superb performance in The 39 Steps at the Criterion Theatre. She was also part of The Country Wife at Theatre Royal Haymarket and ‘Tis a Pity She’s a Whore at the Young Vic. Catherine always shines on stage, in small or big roles; she is…

A Quiet Passion Review

Terence Davies, the director of Sunset Song (2015) and The Deep Blue Sea (2011) has never been interested in Hollywood and rarely casts A-listers in his films. Known for making dramas for a select audience, he is a man “in love with the very idea of cinema”. This year, Davies brought onto the big screen…

Beauty and the Beast Review

I won’t deny it; I have been waiting for a Beauty and the Beast live-action film for a while now. When Bill Condon’s new work of the same title hit the big screen mid-March, I was as excited as a kid in a candy shop; especially so because I adore the 1991 Disney’s animated musical….

In Conversation with Kelly Reichardt, director of ‘Certain Women’

“They are really full characters who have everyday kind of problems” American filmmaker Kelly Reichardt says of the characters that lead her new film Certain Women. Played by Laura Dern, Michelle Williams, Kristen Stewart, and Lily Gladstone respectively, these women are our window into an intriguing yet isolated life in the American North West. They’re…

“We Are X” Review

“If you put your everything into something, your life … you don’t lose. If worst comes to worst, you die.” (Yoshiki) 1975 was a formative year for one Yoshiki Hayashi, who – despite his life being limited by several ailments (and a severe case of asthma) – was a shining classical music prodigy; at the…

In Conversation with Emrhys Cooper

Emrhys Cooper is an ambitious actor whose extensive experience of playing a broad range of roles for musical theatre, television and film makes him one of truly versatile young British actors. Cooper is best known for the Emmy nominated drama series Vanity (2015), the award winning indie feature Till We Meet Again (2015), sci-fi drama Altered…

Kushuthara: Pattern of Love Review 

The Kingdom of Bhutan is no common place; and while it is one of the smallest countries in the world, its cultural variety and depth are heartfelt. Located in the breath-taking Eastern Himalayan mountain range, it presents the perfect opportunity for the filmmakers, climbers and photographers to experience the extraordinary beauty of the country. The history…

Lee Gae-byok’s Luck-Key

Body- and identity-swaps have been explored by Hollywood since the 1970’s; unfortunately, most of those films are just wacky comedies. Unexpectedly, Asian cinema has been keeping up with this trend of the la la land and has produced a few worthy productions, including the Japanese Key of Life by Kenji Uchida (Weekend Blues, A Stranger of…

Damien Chazelle’s La La Land

“City of stars – Are you shining just for me?” There are two main artistic centres in the once “promised” land of USA; we could say that one is the city of dreams, while the other is the city of stars – and in both, you probably have to be at least a bit “la…

A Monster Calls Review

I have to admit that the Spanish director Juan Antonio Bayona wrung almost everything he possibly could from Patrick Ness’ fantasy novel A Monster Calls. Even though the novel is short, it is very rich in content; and that is what the audience gets to see on the big screen: the filmmaker serves the viewers…