Choi Dong-hoon, a South Korean director, began his voyage into filmmaking in 2004 when he released The Big Swing, a crime thriller, which brought him instantaneous praise from domestic and foreign critics. A couple of years later, Choi Dong-hoon repeated his previous success with another interesting production, Tazza: The High Rollers, an adaptation of Huh Young-man and…
Tag: Korean Cinema
The 10th London Korean Film Festival: We Will Be Ok Review
Would You Rather Die than Lead an Ordinary Life? It happens, every once upon a film festival moon. Those of you who have visited a film festival or two – especially if you were there as press – know what the usual rhythm is like. You dig and tread and boot and occasionally half-sleep your…
The 10th London Korean Film Festival: In Conversation with Zhang Lu
Zhang Lu, a Korean-Chinese filmmaker who was born and raised in China’s Yanbian Korean Autonomous Prefecture, has been living and working in Korea since 2012. Most of his films have focused on the disenfranchised ethnic Korean and Chinese-Korean people living in China; these include Grain in Ear (2006), Desert Dream (2007), Dooman River (2011), Scenery (2013), and…
The 10th London Korean Film Festival: Twenty
Lee Byeong-heon, a South Korean filmmaker, debuted with the feature Cheer Up Mr Lee in 2013, which subsequently came to win the Audience Award at Seoul International Film Festival. A couple of years later, he released his second movie entitled Twenty; a coming-of-age film which brought him wide recognition among the foreign as well as domestic audience….
The 10th London Korean Film Festival: In Conversation with Jang Kun- jae
South Korean filmmaker Jang Kun- jae is one of the emerging filmmakers in Korea, who is known for his naturalistic films such as Eighteen (2010), Sleepless Night (2013) and A Midsummer Fantasia (2015). Kun- jae is a handy man when it comes to filmmaking; he edits, produces and directs his own films. His debut feature Eighteen…
The 59th London Film Festival: Assassination
A genius storyteller for his spectacular ability to develop elaborate stories, someone once said about Choi Dong-hoon, one of the most successful South Korean film directors in modern Korean cinema. All his five productions, The Big Swindle (2004), Tazza: The High Roller (2006), Jeon Woo-chi: The Taoist Wizard (2009), The Thieves (2012) and his latest hit Assassination…
The 10th London Korean Film Festival: The Royal Tailor
Lee Won- seok debuted in 2013 with the vivacious romantic comedy How To Use Guys With Secret Tips. It became an unexpected hit among critics as well as the viewers. Nevertheless, it did not do well in the box office mainly because it was up against three biggest production of the 2013; The Berlin File…
In Conversation with Ryu Seong-hie
Ryu Seong-hie is a Korean Film Production Designer whose creativity and passion for film has no limits. She made a name for herself in 2001, when she gave a helping hand on Song Il-gon’s film Flower Island. The film was later presented with 7 awards, including CinemAvvenire’s award for Best First Film at the Venice Film…
The 9th London Korean Film Festival: Han Gong- ju Review
In 2004, Korea was shocked by one of the country’s most horrific crimes of the 20th century, when three middle school and two high school girls were kidnapped from the city of Miryang and gang raped by more than 40 male pupils. This infuriating event, unfortunately, was only the beginning of the girls’ struggle…
The 9th London Korean Film Festival: A Hard Day Review
A Hard Day is an action- packed movie by Kim Seong- hun, which puts protagonist detective Go Geon- soo (Lee Sun-Kyun) in a tricky situation from the very first scene. Forced to skip his mother’s funeral he rushes to attend an important matter at the police station. Unfortunately, before reaching the destination, he is…
The 9th London Korean Film Festival: Pieta Review
Recently Asian films, South Korean ones in particular, have been overflowing the British film market. Having said that, there’s one remarkable director, whose specific directorial style, often criticized for the excessive brutality and misogyny, drew my attention and it always will, his name is Kim Ki-duk. The first time I came across Kim Ki-duk’s…
The 58th BFI London Film Festival: Hill of Freedom Review
For a film that was selected for the laugh category at this year’s BFI London Film Festival, the least you’d expect is Hill of Freedom to be funny. Instead Hong Sang-soo’s film is poorly paced with little acting or directorial merit to speak of. The film follows Mori, a Japanese man searching for his…
In Conversation with Yoon Seok- ho
Yoon Seok-ho is a South Korean television director, whose status was solidified with the success of the TV dramas Autumn in My Heart in 2000 and Winter Sonata in 2002, which are both considered pioneers in Korean melodramatic series, launching the fever that is commonly referred to as the Korean Wave. For years Yoon Seok-…
The 8th London Korean Film Festival: Hope (Wish)
How much love, understanding and commitment is needed for parents to overcome a horrendous incident that happens to their child? Can the family stick together against all odds? Hope (Wish), directed by Lee Joon-ik, is set in a rural South Korean town and focuses on the story of the 8 year old girl, So-won (Lee…
VIEW OF THE ARTS 