72nd Cannes Film Festival: Nuestras Madres Review

Nuestras Madres – ‘Our Mothers’ in English – is a heart-rending and stirring uncovering of the trauma and anguish left behind by the Guatemalan civil war. César Díaz’s fiction-directorial debut focuses particularly on the stories of the many women survivors of the war. Everyone knows the effects of wars and the destruction they rage, but…

21st Udine Far East Film Festival: Extreme Job Review

A fried chicken restaurant and a highly incompetent narcotic squad – what could possibly go wrong? Extreme Job is Lee Byeong-heon’s newest production that has unexpectedly become the second highest grossing film in the history of Korean cinema, with over $120 million box-office profit against a $5.8 million budget – it is no wonder that a Hollywood…

21st Udine Far East Film Festival: JK Rock Review

In the colorful world of Japanese manga live-action adaptations and musical-themed film productions, we can find a series of films that center around pop- and rock-bands that practically ooze ‘ikemen’ (good looking men) by the seams, while there is an (un)surprising lack of such films centering on female music groups. The reason for that lies…

21st Udine Far East Film Festival: In Conversation with Gong Hyo-jin

The entire theatre, full to the brink with fans of Asian cinema, buzzed, then started applauding with gusto as South Korean actress Gong Hyo-jin took her seat for the Udine Far East Film Festival screening of the thriller Door Lock. After the screening, the applause only got louder, reaffirming that Gong Hyo-jin is not only…

21st Udine Far East Film Festival: Door Lock Review

In a society, tightly dominated by men, is there a safe place for a woman? And what if the threat finds its way into the very hearth? Lee Kwon, who previously wrote and directed the horror-laced romantic comedy My Ordinary Love Story (2014), took on the adaptation of Jaume Balagueró’s Spanish film Sleep Tight. His…

21st Udine Far East Film Festival: Rampant Review

For the past few years, South Korea has been overflown with its own zombie-themed films and TV shows whose format ranges from classic horror to period dramas and even comedies, with various levels of quality. The recently released Netflix’s Kingdom, with its perfect narrative and direction, now ranks among the best Korean products of the…

21st Udine Far East Film Festival: Innocent Witness Review

Autistic characters are not an unusual appearance in the world of cinema, but they are not as common in Asian film productions. Lee Han, known for his humanistic approach to feature films, tackles the topic of autism in a feature that aims to be several things: a courtroom drama, a crime film and a family…

21st Udine Far East Film Festival: Unstoppable Review

Ma Dong-seok is unstoppable. In 2018, the actor starred in a record-breaking five films: Champion, Along With The Gods: The Last 49 Days, The Soul-Mate, The Villagers and Unstoppable, and it seems that he is keeping himself just as busy in 2019. His final work of 2018, the action thriller Unstoppable, directed by Kim Min-ho, screened…