Body swap comedies are beloved for their bold and ludicrous takes on what happens when opposites switch. Defined by the occurrence of two characters swapping physical states but maintaining their prior personalities, body swap films offer up absurd and fanciful interpretations of what can happen when you take characters and place them in an extreme…
Category: Film
Sesang Review
Sesang – translated as the Korean word for ‘world’ – follows the lives of two twenty-something creatives Nari (Kim Jin-young) and Han-chul (Han Jong-hoon) as they try to navigate their own separate careers after falling out of love. The former lovers reunite after a year apart when Han-chul visits Nari in New York, where Nari…
76th Venice International Film Festival: Lingua Franca Review
As the Trump reign rages on, the illegal immigrants are solidly placed among the most marginalized and prosecuted groups in the USA, even though the government’s zero-tolerance policy hasn’t quite quenched the numbers of those seeking a brighter future in what used to be seen as the land of the free. In 2017, the estimate…
76th Venice International Film Festival: Chola (Shadow of Water) Review
Chola is an uncompromising and uncomfortable film that attempts to tackle the alarming sexually oppressed female experience of modern India. Yet, while writer/director Sanal Kumar Sasidharan pretties and dresses up the journey with wide, ambitiously beautiful shots of rural Kerala, the destination is left jarringly raw and brutally morbid. What starts as a charmingly simple…
76th Venice International Film Festival: Atlantis Review
The year is 2025 – just one year after a war has ended between Ukraine and Russia. A war that has left eastern Ukraine collapsing into a state of disrepair. Hundreds of flooded mines have left local wells and rivers poisoned beyond repair, in a few years this region will be void of any drinking…
76th Venice International Film Festival: Just 6.5 Metri Shisho Nim Review
For over a decade, Iran has been witnessing a rise in the number of drug addicts; drug abuse, which is often concentrated on the use of opium and its derivative substances, has risen double in the country since 2017 and even with strict laws and punishments, it seems like there is still no successful solution…
Bong Joon-ho’s Parasite Review
Seeing Bong Joon-ho’s work makes one believe time and again that the art of film excellence has not yet disappeared. South Korean director, known for The Host, Okja and Snowpiercer, gifted the film goers with yet another sublime production of his this year: Parasite; a perverse, comical, contemporary yet daunting film that won the Palme…
Aniara Review
Tsunamis, wildfires, and hurricane winds all ripping across the Earth’s surface while a pod races up from the Earth’s atmosphere towards a looming spaceship. This is how Pella Kågerman and Hugo Lilja’s Aniara starts. Based on the existential Harry Martinson poem of the same name, Aniara follows the cruiser ship Aniara – think Virgin Trains…
Midsommar Review
Midsommar is Ari Aster’s (Hereditary) latest slow-burn horror that witnesses a group of American grad students get caught up in a Swedish folk cult during the festival of Midsummer. Dani (Florence Pugh) is heavily grieving after hearing some disastrous news – to try and take her mind off things she tags along with her boyfriend,…
Swing Kids Review
Musicals are a rarity in South Korean cinema, even if there are South Korean productions out there with traces of music themes, thrown into the middle of the film or found close to the end credits – but that does not qualify those movies as musicals. Swing Kids, directed by Kang Hyeong-cheol (Tazza: The Hidden Card),…
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