3rd London East Asia Film Festival: Dark Figure of Crime Review

Why are there so many unsolved/ghost murder cases out there in the world? Experts might work on as many as they can take on, yet they still cannot solve the crimes that go unnoticed. To the victims’ families, the agony of not knowing what happened to their loved ones is beyond one’s comprehension. But how do…

3rd London East Asia Film Festival: 1987 – When The Day Comes Review

When in 1987, Park Jong-chul, a 21-year-old activist and a student of Linguistics at Seoul National University, died while being questioned by the Anti-Communist Investigations Bureau about whereabouts of the campus leader and the fellow ‘revolutionist’, no one expected that the South Korean political landscape was about to change forever. The authorities insisted that the young…

23rd Busan International Film Festival: Good Day’s Work Review

Sarajevo City of Film for Global Screen (SCF GS) is an initiative by Sarajevo Film Festival and Turkish Radio and Televison, aimed at financing small projects from the countries in the Balkans. The first tender was won by the script for Good Day’s Work, written by Slovenian-Italian filmmaker Martin Turk, but winning the tender had…

23rd Busan Internationational Film Festival: House of Hummingbird Review

Hummingbirds are the smallest of birds, with their tiny wings flapping away even faster than their heartbeats, unless they experience torpor, a hibernation-like state that hummingbirds use to protect themselves from the cold. Even though they are tiny, they build nests that have been named among the most exquisite wonders of nature. Much like hummingbirds, there…

23rd Busan International Film Festival: Come On Irene Review

Hideki Arai’s 1990s manga series Come on Irene (Itoshi no Irene) addressed the shortage of brides in the rural areas of Japan, melding comedy, drama and darker thriller hues into its story – there is no wonder that it attracted Keisuke Yoshida, a Japanese filmmaker whose previous projects successfully combined those same elements. In fact,…

62nd BFI London Film Festival: Leto Review

In the Soviet Union, like in many other communist countries, a free growth of specific music genres was quite limited. The story of Kirill Serebrennikov’s new work, Leto (Summer), begins in the 1981 Leningrad, at a concert of an underground rock band. But unlike what a person would expect when there is a rock concert…