The year is 2092. All of the forests on Earth have vanished and the planet is overrun with sprawling deserts and an acidic soil which causes plants to perish. An organisation titled UTS Corporation have stepped in to offer individuals refuge aboard their luxurious spaceship – that is, if you can afford it. UTS is…
Tag: Korean Cinema
Hong Sang-soo’s “The Woman Who Ran” Review
While her husband is out of town on a business trip, florist Gam-hee (Kim Min-hee) decides to embark on a venture of her own to reconnect with three different old friends living across Seoul. Although reciting a script, Gam-hee routinely mentions to every friend how her and her husband haven’t spent a day apart since…
London Korean Film Festival Announces Its Full Programme
The London Korean Film Festival (LKFF) is proud to be returning in 2020 for its milestone 15th edition. Taking place from 29 October – 12 November the festival will be going digital for the first time, with 30+ films available online to audiences across the UK, prerecorded interviews, live Q&As and other virtual events, along…
22nd Udine Far East Film Festival: The House of Us Review
Wise upon her years, 12-year-old Lee Hana (Kim Na-yeon) is the backbone of her family; acting as a peacekeeper as she tries to calm raging arguments between her parents who are going through a divorce. Constantly cooking dinners in an attempt to bring her family back together – Hana’s gastronomic displays of affection aren’t appreciated…
22nd Udine Far East Film Festival: In Conversation with Eunsoo Cho, Cinematographer of ‘Victim(s)’
Eunsoo Cho, born and raised in Seoul, Korea, has been an avid film lover since she was very young. She studied at the Korean National University of Arts, and received her M.F.A at the School of Cinematic Arts in the University of Southern California. In both schools, her focus was cinematography. Throughout the years, many…
22nd Udine Far East Film Festival: Ashfall Review
Recently, filmmakers have been attracted to making disaster films more than ever. Whether they show that we would be swallowed by a tsunami, a whirlwind or fires, blown away by a comet, burnt by an erupting volcano or perished by inhaling poisonous gases, the productions have become bold, filled with endless CGI, harrowing action, but…
Vertigo (Enduring) Review
Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…
4th London East Asia Film Festival: In Conversation with Jung Hae-in of ‘Tune in for Love’
It’s been five years since Jung Hae-in debuted as an actor. He shot to stardom in 2014 after appearing in a TV drama Bride of the Century, followed by The Three Musketeers, a period drama TV series. Within this short time, the young actor has not only been seen on TV, but also in films, with…
4th London East Asia Film Festival – In Conversation with Ryu Jun-yeol
Sunny days are rare in the UK during the Autumn, but who needs them when Ryu Jun-yeol is in London and his bright personality and smile brightens up the day? At one of London’s hotels, the actor greets us with a warm handshake. As we sit comfortably on the Victorian looking sofa, he enthusiastically invites…
4th London East Asia Film Festival: Opening Night Gala – Exit Review
Up amongst Seoul’s rollercoaster of a skyline, Yong-nam (Jo Jung-suk) and Eui-Ju (Lim Yoona) are hurdling from building to building desperately trying to outrun and outsmart the toxic fog slowly following them across the city. Opening up this year’s London East Asia Film Festival, Lee Sang-geun’s feature debut Exit is a joyful, lively but somewhat…
Swing Kids Review
Musicals are a rarity in South Korean cinema, even if there are South Korean productions out there with traces of music themes, thrown into the middle of the film or found close to the end credits – but that does not qualify those movies as musicals. Swing Kids, directed by Kang Hyeong-cheol (Tazza: The Hidden Card),…
In Conversation with Lee Min-jae and Uhm Ji-won of ‘The Odd Family: Zombie On Sale’
Uhm Ji-won is a South Korean actress whose career started in the late 1990’s. Her talent’s were first recognized with her performance of a subdued wife in the erotic thriller The Scarlet Letter (2004). She later played the leading role in Hong Sang-soo’s Tale of Cinema (2005), and worked with Hong again on his 2008…
The Odd Family: Zombie on Sale Review
Train to Busan (2016) established that there is both room and potential for zombie flicks in Korean cinema, and there has been a flood of undead-themed films and TV series in the past few years, with their makers hell-bent on achieving the same success as Yeon Sang-ho‘s action thriller. Some of the K-zombie projects, surprisingly,…
21st Udine Far East Film Festival: Extreme Job Review
A fried chicken restaurant and a highly incompetent narcotic squad – what could possibly go wrong? Extreme Job is Lee Byeong-heon’s newest production that has unexpectedly become the second highest grossing film in the history of Korean cinema, with over $120 million box-office profit against a $5.8 million budget – it is no wonder that a Hollywood…
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