22nd Udine Far East Film Festival: Ashfall Review

Recently, filmmakers have been attracted to making disaster films more than ever. Whether they show that we would be swallowed by a tsunami, a whirlwind or fires, blown away by a comet, burnt by an erupting volcano or perished by inhaling poisonous gases, the productions have become bold, filled with endless CGI, harrowing action, but…

Vertigo (Enduring) Review

Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…

4th London East Asia Film Festival: Opening Night Gala – Exit Review

Up amongst Seoul’s rollercoaster of a skyline, Yong-nam (Jo Jung-suk) and Eui-Ju (Lim Yoona) are hurdling from building to building desperately trying to outrun and outsmart the toxic fog slowly following them across the city. Opening up this year’s London East Asia Film Festival, Lee Sang-geun’s feature debut Exit is a joyful, lively but somewhat…

Swing Kids Review

Musicals are a rarity in South Korean cinema, even if there are South Korean productions out there with traces of music themes, thrown into the middle of the film or found close to the end credits – but that does not qualify those movies as musicals. Swing Kids, directed by Kang Hyeong-cheol (Tazza: The Hidden Card),…

The Odd Family: Zombie on Sale Review

Train to Busan (2016) established that there is both room and potential for zombie flicks in Korean cinema, and there has been a flood of undead-themed films and TV series in the past few years, with their makers hell-bent on achieving the same success as Yeon Sang-ho‘s action thriller. Some of the K-zombie projects, surprisingly,…

21st Udine Far East Film Festival: Extreme Job Review

A fried chicken restaurant and a highly incompetent narcotic squad – what could possibly go wrong? Extreme Job is Lee Byeong-heon’s newest production that has unexpectedly become the second highest grossing film in the history of Korean cinema, with over $120 million box-office profit against a $5.8 million budget – it is no wonder that a Hollywood…