In the perpetually changing fashion industry, male models have become as desirable as the female ones. A growing number of brands now offer a broader range of menswear which allows more male models to expand their horizons outside of the runway – and that’s what the 23-year-old Heo Hyo-ryeong, represented by A.Conic, has been doing. His…
Author: View of the Arts
View of the Arts is run by female arts journalists and works with a diverse team of writers and film critics.
69th Berlin Film Festival: Hellhole Review
Hellhole, Bas Devos’ second feature, is a draining and frank look at the trauma inflicted upon Brussels residents following the March 2016 bombings. It delivers an episodic and fragmented depiction of a hollow, sceptical and disconnected city – filled with individuals struggling in their own way with grief and isolation. Hellhole follows the story of…
69th Berlin Film Festival: In Conversation with Matija Strniša, a Film Music Composer
The competitive Generation 14plus section of this year’s Berlinale featured international gems with a focus on young adult themes, and the Grand Prix Award for Best Film was awarded to Kim Bora‘s House of Hummingbird, which finally got its European premiere after wowing the audience with its world premiere at the 2018 Busan International Film…
69th Berlin Film Festival: Vice Review
Adam McKay, with great stubbornness, taste and exceptional layers of humour, has been known to show the bright and dark sides of the USA through his filmmaking. Although he has many films under his belt, it was his 2015 feature The Big Short about the 2008 US financial crisis that got everyone talking; McKay superbly…
69th Berlin Film Festival: A Colony Review
‘If you were in the wild, you’d be eaten!’ is a line spat at pre-teen Mylia by her younger sister, Camille, referring to Mylia’s meek and unopinionated existence. Geneviève Dulude-De Celles’ latest piece A Colony is a thoughtful and perceptive look into teenage anxiety and how, in high school, invisibility and diffidence can be a…
Green Book Review
Peter Farrelly has been known best for making ridiculous comedies, such as Dumb and Dumber – and its sequel – and There’s Something About Mary. Howbeit, with his latest work Green Book, the filmmaker skillfully showed a completely different narrative. Inspired by real events and set against the background of the 1960’s USA, Green Book tells the…
Velvet Buzzsaw Review
Netflix’s latest release Velvet Buzzsaw is a half-hearted and muddled swing at the art world, proposing to critique the tricky relationship of art and money with the likes of satire and horror. Instead, we find a vague, sparse, and mild-mannered take on contemporary art, either too polite to pack a full punch or too farcical…
In Conversation with Steven Yeun of ‘Burning’
Steven Yeun greets me with a big smile and a warm handshake as we meet at the Mayfair hotel in London on a cold October morning. We sit down and chat about what it means to be a Korean-American, his latest production Burning, and working with Lee Chang-dong. Born in Seoul, South Korea and raised…
Fauve Review
Kicking off with an orchestra of cicadas, chirping birds, and the sound of rocks crunching under worn-out trainers, Fauve sets itself up as an ode to the rural and nostalgic. Two troublemaker preteen boys Benjamin (Alexandre Perreault) and Tyler (Félix Grenier), are roaming around an abandoned railway track; locking each other in deserted train carriages,…
Detainment Review
On February 12, 1993, a security camera in a shopping centre in Bootle, Merseyside, captured the moment 10-year-olds Robert Thompson and Jon Venables abducted two-year-old James Bulger when his mother, Denise, had taken his eyes off him momentarily. Played by Leon Hughes (Thompson) and Ely Solan (Venables) in short film Detainment, the pair are seen…
Barnaby Blackburn’s Wale Review
If something seems to be too good to be true, it usually is. Even if you want to believe otherwise; even if you are starving for a proper opportunity to show itself so you can finally, finally make a breakthrough in your opportunity-deprived life. This is a hard lesson that gets served to a young…
Marianne Farley’s Marguerite Review
Marguerite unearths the growing friendship between an aging woman who refuses to go into a care home, Marguerite (Béatrice Picard), and her nurse, Rachel (Sandrine Bisson). Running at 19 minutes long, it’s a short film that unfolds itself as a delicate and light-handed look at emotional vulnerability. Marianne Farley’s second directorial project sets its eyes…
Rodrigo Sorogoyen’s Madre Review
The significance of being a mother is practically endless. A mother is a selfless, protective and loving human: to those women who are mothers, it might be the hardest yet the most rewarding job of all. Motherhood also comes with fear and anxiety when it comes to a child’s safety, and one can only pray…
Lee Chang-dong’s Burning
The attempts to translate Haruki Murakami‘s prose into the cinematic language have so far mostly ended in spectacular disasters, or – in the best case – garnered mixed reviews, probably due to the specific style of the writer. But the fates have changed when Lee Chang-dong, the director of Poetry and Peppermint Candy, returned after 6 years of…
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